Yesterday I finished another version of Katherine Tilton’s Vogue 8817, View A. I am in love with this top. I think the neckline is one of the most flattering necklines I’ve ever worn. You may remember I made a top out of this pattern/view before the trip to France.
The fabric is another Emma One Sock delight that Linda calls “Poster City.” The fabric is a 96% rayon/4% lycra blend that feels like buttah. This print is a little out of the norm for me, and I absolutely love it. Would you believe that, prior to last summer, I didn’t own a print top?! My wardrobe is richer for the patterns Marcy and Katherine Tilton have been designing!
If you look at the blog post about the previous making of this top, you’ll see the contrasting insert in the back. This time I wanted the back to be all made of the main fabric. I overlaid the two pattern pieces to cut out the back. Look at the image in the mirror here. That inset is what I was trying to do away with this time. Success!
The contrast fabric is a great black mesh that I’m pretty sure came from Marcy Tilton’s fabulous fabric store. I used it for the band around each sleeve (I love how you can see the underlying print through the mesh.), for the trim on the neck, and for the little inset on the underbust seam across the front. (Cut a piece 1½” wide ((½” seam allowance times 2) + (¼” times 2 for the folded edge peeking out)), fold in half, then hold between the front and lower front pieces when seaming.) What you get is a ¼” piece peaking out of the seam. Just a nice little bit of seam definition.
Instead of sewing the folded neck band in a circle, sewing it onto the neck opening, then flipping it up and topstitching, I bound the edge. I cut a strip 2½” (⅝” x 4) wide and the same length as the neck band pattern piece. I seamed only the right shoulder, then stitched this neck band onto the neck opening with a ⅝” seam, right sides together, stretching it to fit the opening. Then I wrapped the strip to the wrong side and tucked the last ⅝” up under the “facing.” I hand-sewed it into place (because I love handwork – you wouldn’t have to do this…) and then topstiched ⅜” from the seam.
Since we believe summer may come to Northeast Ohio at some time in the next 14 weeks, I’ll make this top again, drafting cap sleeves for the hot and humid days. I do love this top!!
For wearable crafters, last month was Me Made May. I wanted to participate, but knew I was spending half of May away from home–eleven days in France and five days in North Carolina. So I participated in a quieter fashion than most.
If you’re a regular reader, you know I was obsessively sewing prior to my tour of France. If you scroll backwards through the posts written since the end of January, you’ll see the results of all that activity.
While in France, I believe there was only one day I didn’t wear something I had made. And on all days, I carried one of two tote bags I made for the trip. So I guess you could say I did, indeed, wear something I made every day.
Likewise, on my North Carolina trip to celebrate my mother’s 100th birthday, I wore something I made every day. On the first day, when I arrived at her assisted living facility, she looked at me and said, “That’s a funny shirt.” It was Katherine Tilton’s Vogue 8793, a stripe for the back, an abstract stripe for the front and sleeves, and a mixture of the two for the double collar. I love it. My mother thinks it’s strange. Oh, well.
So I missed MMM’13 this year, but you can bet I’ll be there next year–especially now that I’ve got my Me Made wardrobe built up.
Here’s what I wondered last night while putting away the laundry: If all your handcrafted tops and pants won’t fit in your available storage, do you have too many clothes or not enough storage?
A few days before leaving for France, I finished a long, flounced halter dress for my granddaughter, Ridley, who would turn 10 at the end of the month. Ridley’s mother’s family has a lot of height genes, so this child was wearing size 9 shoes and girls’ size 14 clothes when she was 9. I believe I”ll be making clothes for her for years to come.
As I said in the blog post about the dress construction, I had cut the dress too large, but was able to alter it in such a way that I will be able to make it larger in a few months when she hits another growth spurt.
She loved that the skirt included pockets. I noticed, as she was walking onto the stage with her Upper Elementary (grades 4-6) class for the end of year performance, that she had her hands in the pockets and was using them to flip her skirt around even more. Loves the pockets! Loves the flounce! Loves the twirly girly skirt!
The best part of the construction project? She’s so appreciative. She is such a sweet not-so-little girl with such a big heart, and she is appreciative of everything I do for her.
Go ahead, Darlin’, wrap your grandma around your little finger.
(P.S. That’s her brother, over her right shoulder, in the red and cream striped t-shirt. My other darlin’.)
I was bored early one morning before leaving for France, and started exploring Mood Fabrics’ website while lying in bed, waiting for the Jazzman to wake up. Bad move. I found several things I had to have.
This one is called “Bright Multi Geometric Jersey Prints” and is a whole bunch of colors that look good on me. I knew I would use it for one of Marcy Tilton’s or Katherine Tilton’s tops they’ve designed for Vogue Patterns. So I wanted a complementary fabric to bind the neckline. Lookee here! The photo doesn’t do it justice. Look at how look it looks used to wrap the neck edge and ring the sleeves! That, my friends, is cool!
I decided to make Marcy Tilton’s Vogue 8582, which you saw previously described here, along with the brown pants described in that same post.
The thing I love about how this pattern merged with the fabric is the seeming under-bust seam. The way the pattern drapes is, in my opinion, very flattering to my figure. And of course I love that!!
The top took about 4 hours, start-to-finish, to make. And this great new outfit is going into my suitcase for my quick trip to NC to help celebrate my mother’s 100th birthday.
Sidebar: Got a haircut today. And notice the pretty toenails in the picture. My brothers and I are hosting brunch on Sunday. In attendance will be: my mother’s best friend’s daughter, who was like my little sister as we were growing up; my daddy’s associate in his medical practice (He’s 85 now. That means he was about 33 when I first met him!); the friend across the lake my brothers used to waterski with; the mechanic who souped up my older brother’s race car, a ’56 Chevy, with which he won hundreds of drag race trophies; and on and on. People I’ve known since I was 5 years old or so.
My sister-in-law planned the whole event. I owe her, big time!
I think I’ll wear this to brunch.
Today I’m grateful for:
- Having packed a boxy wool cowlneck sweater that I could put two other layers underneath. (However, I’m kicking myself for pulling the cashmere twinset out of the suitcase at the last minute. “It’s spring”, I thought. Yeah, so what? It’s danged cold!)
- Two pairs of Naot shoes. These ultra comfortable shoes are worth every penny the retailers charge.
- Getting to see new-to-me cities and attractions. Blown away yesterday by the Chateau de Chantilly. I’m enchanted with the little town of Senlis, near the chateau. We had lunch in an enchanting little underground restaurant, “Les Barbares,” in Senlis. Did I fantasize of about spending a summer month in Senlis? You bet!
Au revoir to Reims.
Bonjour to Paris!
(Our day of transfer from Reims to Paris was so busy, it was late in our first full day in Paris before I had time to post this. Tonight is the farewell dinner of the organized tour, and begins our two-day extension in Paris.)