A Tank That Won’t See the Light of Day

Frustrated sewist!

Frustrated sewist!

I bought a kit from Craftsy with Meg McElwee’s “Tank + Maxi” pattern and enough Robert Kauffman cotton jersey to make a tank and a maxi. I thought it would be nice to have a maxi tank dress to take with me to Mexico next week.

It was a PDF pattern, so I printed and taped and traced, then cut and sewed. Size Large, true to the pattern with the exception of adding 2″ to the length. Easy. Nice. Professional finishes. Not right!!!

No! No!

No! No!

If you’re busty, you know that ripples across your bustline are a no-no. So, the first place I’m going to have to start to make this pattern become a TNT is to master the FBA.



I really don’t like having passersby knowing what color bra I’m wearing. This gaposis offers way too much information.

<Tutorial On>
Click on the “TMI” image to see the great binding finish. The bindings are sewn with a ⅜” seam. Press the binding away from the top and wrap around to the back so that it covers the seam on the inside. Pin in place, then topstitch with a double needle so that one needle is on either side of the seam. (Rather than stitch-in-the-ditch, you’re going to stitch-over-the-ditch.) (To make it a little clearer, if your shoulder seam on the front pattern piece is 2″, your finished measurement of the shoulder strap will be 2″, because the bindings are just opened out, then wrapped around the back without taking anything away from the front.) Easy and gorgeous!
<Tutorial Off>

"You'd be so easy to love ..."

“You’d be so easy to love …”

But really. Look at this neckline. It’s just the right tease of décolleté without making me uncomfortable. This is a neckline I love. This is a tank and maxi dress I could love!

Now to master the details!!

Here’s the kit – and such a great deal. You couldn’t buy the fabric for that little anywhere else, much less the fabric and the pattern!

Oh, and just to be clear, I will wear this tank under sweaters all winter. I just won’t wear it by itself. Not until I master the details.

Vacation = Must Sew

Butterick 6101As I write this post, it’s 32° outside and the snow is falling. We’re slated to accumulate about three inches today. So why am I sewing summer clothes and wearing sandals? Because next week is vacation in Mexico—yippee!!

For me, vacation has always meant new clothes. I don’t know why. And when I have drawers full of perfectly suitable clothes, I always feel I need something new. Okay, truth: I want something new.

Everytime Marcy Tilton and Katherine Tilton design new garment patterns for Vogue and Butterick, I snatch them up. I had picked up Katherine’s Butterick 6101 the moment it hit my inbox – so many possibilities.

B6101-backThe fabric came from the Bernina Store in Twinsburg, OH. When the owner went to quilt market in Pittsburgh last year, a jobber said “psst!” to her outside his truck in the parking lot of the hall, and she bought a small stash of apparel fabric for her quilting store. I’ve picked up a few of them, and this gray print with mauve undertones was one. I believe it’s a rayon/lycra blend, but with purchases like this, you can’t really be sure.

The pants were snagged up when Naturals Inc. in Oregon had an after-Christmas sale and sent me a coupon for an extra 25% off. How could I resist? I don’t love shorts and I do love Eileen Fisher, so these slim capris became mine. But when they arrived, I immediately thought, “I have nothing to go with that silver.” So I went shopping in my stash and this is what happened.

Here’s the review:

B6101-sidePattern Description: From the pattern back: Loose fitting pullover tunics have collar, left side pocket detail, sleeve variations, hem band and top stitching. C: contrast right front, left front, left front and back pocket, armhole facing, hem band, left pocket and right inside pocket. D:contrast collar, right sleeve, left front, back pocket and right inside pocket. I made version A.
Designed for lightweight woven and stable knit fabrics.

Pattern Sizing: Y(XSmall-Small-Medium), ZZ(Large-XLarge-XXLarge)
I made a Large. I usually add 2″-3″ to the torso or length of Katherine’s designs, but cut this one as printed.

B6101-bigpocketDid it look like the photo/drawing on the pattern envelope once you were done sewing with it? Yes.

Were the instructions easy to follow? Some of the instructions were a struggle. In talking to various friends who are designers, I understand that pattern companies have their own ways to express things and sometimes what the designer writes as instructions doesn’t make it into the pattern.

That said, I found the hems challenging. The illustrations were made to look like you could just put a binding on it – specifically the Lower Left Back and Lower Left Front. This insert is not straight across the bottom (as indicated in the illustration), but looks more like a large shallow scallop. I ended up turning up the hem edge 5/8″ and then top-stitching with a double needle.

There were times I had to read the instructions for a step several times and then stop and try to picture it in my head before proceeding.

What did you particularly like or dislike about the pattern?
Like: Another lovely Katherine Tilton top.
Dislikes: 1) That funky little pocket on the left side. Gotta figure out how to omit that next time. 2) The hem problems.

Little pocket, in center of photo

Little pocket, in center of photo

(And after trying the top on with designated slacks and tank to take pictures for the blog, I find I love the funky little pocket. Will not be omitting!!)

Fabric Used: This is a mystery from a jobber, but I think it’s rayon/lycra. It’s a very lightweight, almost meshy fabric that flows nicely.

Pattern alterations or any design changes you made:
I interfaced all the hems and the back shoulder seams with a tricot interfacing. I learned this from Marcy Tilton and use that tip on every knit top to stabilize the shoulders and to make the hems so much easier to turn and double-needle topstitch.

IMG_8819On the right side seam, the illustration shows opening up the basted hem and sewing to the bottom, then turning up the hem. As with my comments about the left side seam, the right side is not straight across. It’s a shallow scallop (for lack of a better explanation). I left the hem turned up, then sewed to the bottom, then topstitched along the top of the hem allowance across those folded edges to hold in place. Then I double-needle stitched all the way around the hem. (Please leave a comment if this doesn’t make sense to you. I’ll also put a close-up picture on my blog to better illustrate.)

B6101-armholeWould you sew it again? Would you recommend it to others? Probably, with some changes. I think I’ll make a regular facing for the Lower Left Back/Front rather than trying to bind or just turn up. I’d be much happier with that finished result, I imagine. Also need to tweak the pattern to decrease the size of the armhole—too much gapage.

Conclusion: Another unique top from Katherine Tilton. Very flowing and flattering. Great for next week’s snow-fleeing vacation in Mexico.

I think this is one of those tops that I’m going to grow to love more and more as I wear it. The fabric is very comfortable, and I think I’ll be happy I have it as we’re walking around Tulum next week.

Take care of the snow until we return. :)

Thick and Thin

2015-01-14 20.04.20It’s pretty sad when the lack of two tassels keeps you from wearing something for almost a year! In my so-far-successful effort to finish everything I start, I made two tassels this week and have worn my new scarf twice. And I love it!

The scarf in question is the Tilled Scarf by Quirky Bird Knits. The yarns are Malabrigo Rasta in color number 866, Arco Iris, and Malabrigo Silkpaca in color number 96, Sunset.

2015-01-14 11.53.41The pattern calls for one skein of each yarn. At the end I ran out of the Rasta, so didn’t have enough for the tassels. (On rereading the pattern, I think I used a single strand of the Silkpaca, rather than holding it doubled throughout. Oh well.) I pondered a long time what to do about the tassels. I didn’t want to buy a $22 skein of yarn just to have enough for two tassels.

2015-01-14 11.52.56There’s a lovely little needlework store name With Needle in Hand in Boardman. I took the finished scarf there and examined each rack and every yarn. Finally I decided on two hand-dyed silk ribbons to pair with the leftover Silkpaca. I got the 7mm ribbon in Gidgee and the 4mm ribbon in Jindalee or Tea Tree. I wrapped the lengths of ribbon and silk/alpaca yarn over the tails of the Rasta that were hanging from each end of the scarf, wrapped and tied the tassels with the Silkpaca tails, and – scarf all done!

In retrospect, I should have ironed the ribbon first …. When I put the scarf on for its second wearing, I realized I had dripped Balsamic vinegar dressing on the tassel at dinner on Saturday night. I rubbed the affected ribbons with water and a little hand soap, gently rinsed the affected ribbons, and used my flatiron to press them. Inspired, I thought.

2015-01-14 11.54.10The hardest thing about this scarf was the switching from very thick to very thin on each set of rows. It required a lot of deft holding to maintain tension in the yarns. (Click the pic to view the difference in the yarns close up.)

And the result? Worth all the effort. I love this scarf and have gotten many compliments and queries about it with each wearing.

Purchased as a kit from Knitter’s Mercantile of Columbus at the 2013 “A Knitter’s Fantasy” show in Youngstown.

Gayley Girl Gift

gaylebagMy New Year’s resolution is to have only one project going at a time. And that translates to “finish what you start.” I can be a tad ADD, i.e. “Look at that pretty piece of fabric; I think I’ll sew that today.” And my Very Bad Habit is to throw each new pretty thing onto my cutting table. And the mess begins. If I can stick to my resolution—and 15 days into the year (half a month gone already?!), so far/so good—I can get rid of the clutter and mess and feel more at peace in my little basement haven.

Jas and our travel pals and I had the most wonderful NoCal vacation in September. And one of the best memories is of a sidetrip to Capitola and lunch with one of my cyberfiberfriends, Gayle.

To say Gayle offered us lunch is an understatement. Gayle was incredibly generous and opened her home to us and shared herself and her talents (and her very talented and musical husband). I wanted to return her gift in kind.

Gayle sews – beautifully. So what could I make to say “thank you” that wasn’t something she could make for herself? The answer came as two lightbulbs went off in my head.

Lightbulb #1: While working at the Bernina store, one of my tasks was to arrange all the store samples of bags and accessories onto a wall. One of the bags was the Amy Butler Reversible Sunday Sling. This is a cool bag—verrry large and perfect for carrying a stash of fabric to a class or a lunch-worth of veggies from the farmer’s market. And did I mention big? The pattern has two sizes and I chose the larger one.

I’ve made a number of bags, but I’m never content with the weight of the bag. By weight, I mean the way it will stand when you place it on a table or the floor. I have yet to find the interfacing or inner construction that makes me happy. Amy Butler and her team have hit a home run with this bag, IMHO.

Lightbulb #2: On the shelf at the Bernina store, I found the perfect fabric to craft this bag for the consummate foodie. The exterior would be Makower “Cook’s Kitchen,” the interior would be Timeless Treasures’ “Gorgeous Gourds,” with a little accent of P&B Bear Essentials Two Green Bubbles.

Cook's Kitchen

Cook’s Kitchen

Gorgeous Gourds

Gorgeous Gourds

Green Bubbles

Green Bubbles

Here’s the review:

Pattern Description: “Stylish & sweet and easy to sew! This reversible modern design is great for beginners – with simple, large pockets, tie handles and pleats. This gorgeous bag makes every day as easy as Sunday.” (From pattern page on Amy Butler website)

Pattern Sizing:
Small Sling – 18” wide x 14 1/8” tall (28” tall with Handles) x 3 1/4” deep
Large Sling – 23” wide x 16 1/8” tall (30” tall with Handles) x 4” deep

Did it look like the photo/drawing on the pattern envelope once you were done sewing with it? Yes

Were the instructions easy to follow? Yes, but verbose. A lot of reading.

What did you particularly like or dislike about the pattern? Loved the stiff interfacing in the base. A sturdy and well-designed bag.
The downside is how difficult it is to turn rightside-out when you’ve finished attaching the inside to the outside. Because you’ve got layers of batting and interfacing and stiffener for the bottom, plus layers of pockets, you’ve got a lot of fabric to pull through that small hole. Take a deep breath and take your time.

Fabric Used: 100% Cotton (see my website for exact fabrics)

Pattern alterations or any design changes you made: Changed up the pockets somewhat. On one of the outside pockets I added a contrast binding. On the inside big pocket, I added two zippers. I made the tuck in the cell phone pocket smaller, as phones have increased in size since the pattern was designed.
For the handles, I cut four of the inside fabric and four of the outside, as I liked the look of the handle matching whichever side is out.

Would you sew it again? Would you recommend it to others? I bought enough batting and interfacing to make another for myself, but am not giving it a high priority, as it was a lot of work! (But so worth it — conflicting emotions!)

Conclusion: Great tote bag, nice design, clear instructions. Makes a wonderful gift for someone you really like.

A few more pictures. The bag will go into the mail on Monday. Jas looked at it again as he left for work this morning and said, “Gayle is going to love that bag!”

Bag front, full view

Bag front, full view

Outside, back view. Contrast trim on large exterior pocket.

Outside, back view. Contrast trim on large exterior pocket.

Inside, look closely to see the cell phone pocket.

Inside, look closely to see the cell phone pocket.

Inside, full-width pocket, seam up the middle to create two pockets, each with zipper closure.

Inside, full-width pocket, seam up the middle to create two pockets, each with zipper closure.

Baby, It’s Cold Outside

Brrr!It took the winter of 2014/15 a little while to set it, but it’s here now. Boy, is it here. The temperature for much of yesterday was right around 0°, with wind chill temps in the minus-teens. Tomorrow the wind chill temp is supposed to drop to about -24°. One does not go outside without gloves, even just to take the bag of used kitty litter to the garbage can! (TMI? Sorry!)

At the Bernina/quilt store where I work worked until noon today, we’ve had two shelves of Shannon Cuddle just lingering on the shelves. Shoppers would come in and say how soft and lovely it was, but then move on to other fabrics. As I wrote yesterday regarding the Cuddle infinity scarf, there were bits of it going to new homes, but much of it is still on the shelf.

When I picked up the Winter issue of Stitch Magazine, and saw this cuddly lounging jacket made from Shannon Cuddle, I felt inspired. Taking advantage of the employee discount at the Bernina Store, I bought enough to make a jacket for my DIL-Equivalent and one for myself.

Here’s hers:
IMG_8720The reversible jacket requires about 2¾ yards of two colors of microfiber fleece. For Leslie, who lives in Amarillo and whose family has a long history of ranching and farming, one of the sides had to be “My Lil’ Buckaroo” in camel. For the outside, I chose Cuddle Embossed Vine in brown.

When I laid the pattern out to cut the fabric, I discovered an error in the pattern. I wrote to the designer and got a quick response, ensuring me that the error was the publisher’s, not hers, and that the publisher had agreed to fix it and reload the PDF pattern.

Jacket backThe pattern is marked “one size fits all,” but I beg to differ. Really, one size fits up to about a normal size 14, and that’s snug in the sleeves. On Leslie’s version, I had to take scant ½” seams and the sleeves still were probably too tight to wear a t-shirt under the jacket. On mine, I will try adding a bit to the shoulder seam and slash-and-spread the sleeve to give myself more room.

HoodMy only other complaint is the lack of a “sew here” button marking. I sewed those buttons on three times and still wasn’t happy with the placement and the way the jacket falls in the front. I doubt I will ever wear it out in public. This jacket—for me—is going to be something I wear in my drafty old (1927) house to stay warm in these brutal and long NE Ohio winters.

And how cute is this hood? Very! Now to finish one outstanding project downstairs so I can cut into the black classic and ivory vine Cuddle yardage that’s waiting for me in the sewing room.

Edited 1/12/2015

Note: I’ve exchanged several emails with designer Cheryl Bush regarding problems I had or errors I discovered with this pattern. Here are her comments:

The sizing should be marked S-L (One Size Fits Most between sizes 0-14).

To determine the best placement for the shoulder buttons, try jacket on at when completed. Smaller sizes should sew a button onto one side of the front, about 1 inch in front of the armscye, just under the hood seam. Larger sizes may prefer buttons to be 2 to 3 inches below the shoulder seam for a roomier fit. Do the same on the opposite shoulder, but this time on the inside lining.

If you find tacking the neck seam together after sewing the inside and outside together, you might sew the hood seam together from the outside as invisibly as possible for about an inch at the center back.

Cheryl noted “This is content that was included in the submission to Stitch Magazine, but omitted by the editor.”

Thank you, Cheryl! I’ll look forward to trying more of your patterns.