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The bag, as designed, calls for SF-101 interfacing on the exterior and lining fabrics and the wristlet handle. I wanted it a little thicker, as we travel a lot and I like the idea of having a quick place to stash my phone and/or my passport.
I made the medium size bag—the main pouch pattern piece is 9″ wide and 6″ tall; the pocket piece is 9″ wide and 5″ tall. I cut fusible fleece interfacing for the exterior pieces, and cut them without the seam allowance, i.e. I cut two pieces of fleece 8″ x 5″ and two pieces 8″ x 4″. I centered those on the the wrong side of the exterior pieces and fused them in place. Then I cut SF-101 the same size as the pattern pieces—9″ x 6″ and 9″ x 5″. I fused those to the exterior pieces, further securing the fleece in place.
Attaching the pocket to the bag:
The pattern, as designed, only uses one exterior piece for the pocket and secures the back of the pocket, just inside the zipper, to the main front pouch piece. I made the pocket with both a front and back exterior piece and only secured it to the main front exterior at the sides and the bottom. By doing so, I created an open pocket between the front pocket and the main pouch. Before sewing the pocket closed, I attached the male side of a magnetic snap to the back of the pocket, and the female side of the snap to the main front exterior piece. Now I have a wonderful secure pocket in which to stash my phone or passport when traversing the airport. It’s the perfect size to tuck into my underseat carry-on once I’m in my plane seat. Perfect for our midwinter flight to Cancun!
Compare the picture of this bag to the picture of the bag that follows. I hope you’ll be able to see the difference between the middle open pocket and the pocket that’s attached to the bag.
The pattern calls for a #3 zipper, which is the standard dress zipper size. I used a #4.5 zipper with antique brass metal teeth. This made for a much bulkier closing, and made it more difficult to sew the closing. I like the look of these zippers on this bag, but I don’t know that I’ll do it again. I have my second Metro cut out, and I have #3 zippers set aside for that bag. We’ll see what I think when that bag is finished.
The exterior fabric is Australian Aboriginal designer fabric, “Bush Plum Dreaming” in blue, designed by Juliette Nakamarra Morris for M & S Textiles Australia. The lining is Carrie Bloomston’s “Scratch” in color Olive Oil from her Collage collection for SUCH Design. The zippers are YKK Antique Brass Donut Pull size 4.5 in Monster Snot (really!) from ZipIt on Etsy.
The second Metro pouch has the same double interfacing—fusible fleece and SF-101 for the exterior pieces as the first—but it has one fewer exterior piece. I made it without the extra pocket between the pocket and the body. That is, I cut it as directed in the pattern, adding the three pieces of fusible fleece.
I used the #3 zippers, as recommended in the instructions. The sewing is much easier with the thinner zippers.
The exterior fabric is from Blank Quilting, their American Dream collection, showing Route 66 and classic 50s American-made cars. For the lining, I wanted a solid in the same color as one of the cars in the print. When I dug through my stash of hand-dyed fabric, I found an intense blue that was exactly the shade of blue as the Dodge Charger. I dyed it about 15 years ago and it’s been just hanging around waiting for the perfect project. And I love how it looks.
So #2 is complete. Now I want to make one more, without the fleece, just to see how different the three are.
I had started a different Sew Sweetness bag with this Tula Pink Stripes and Pom Poms in Foxglove, but my Bernina 330 and I were having an argument that day, and she was being obstinate (something my adoptive mother used to accuse me of being…). I unsewed everything from the 12″ square of the stripe and set it aside. A few days later I decided to quilt it to the piece of Pellon Foam Flex and make another foam-interfaced Metro pouch. But the unsewing from the previously attempted bag had left too many loose and snagged threads hanging out. So I thought I’d use it as the lining for a Metro (after piecing it to have enough lining), using the Pom Poms as the exterior fabric. And I decided to leave the pocket off, just making a single pouch to hold my page turn pedal. Despite my measuring twice and cutting once, the pedal wouldn’t fit into the pouch. But the pouch was cool—very cushy and protective for something that needed protecting. Ahhhh. The charging cables I carry with me to lessons and rehearsals.
So on to the real bag #3.
My second try at a bag to hold my page turn pedal turned out beautifully. I cut the Large size of the Metro Double-Zip Pouch, and the pedal fits as if the bag were made for it. Oh, haha, it was. The Stripes and Pom Poms, in Poppy, coordinate with the Tula Pink All Stars Frog print in Peony. The zippers are Coats “Flamingo” and I love these shades together.
The most time consuming part of this project is the cutting and interfacing. Sara Lawson offers acrylic templates for many of her bags. These can be used with cutting machines such as the Cricut. (I know nothing about these machines, so can’t even tell you the various machines these templates fit. But if I’m going to continue making these bags and move forward to selling them, I’ve got to invest in one of the machines and the templates. It will make a big difference in the construction time!
Nothing extraordinary to say about this bag, except that I’ve got this pattern down now. Oh, this bag used fleece, as did numbers 1 and 2. I have two more bags cut out downstairs, that use just Pellon SF-101 rather than the fleece. It will make a thinner bag without all the cush.
Now, rather than sitting here and watching the snow fall, I’m going to go back downstairs and see how quickly I can finish these two bags.
You might be wondering what a “page turn pedal” is. I’ll share with you the answer I gave this morning to a couple of women on the Sew Sweetness Facebook group, who asked just that question.
I’m a collaborative pianist at the local university. I accompany musical theatre students in their voice lessons and am in rehearsals for the April production of “Into the Woods.” I play from my iPad and no longer carry books and binders of sheet music around with me. The app I use to manage my music is ForScore, into which I load a PDF of an opera or a musical or the repertoire the singers are working on in a given semester. (I also load bag patterns into forScore so I can refer to them on my iPad rather than on paper.)
Some genius invented a pedal that is Bluetooth-enabled. When I need to turn a page on the iPad, I tap the pedal with my left foot and the page in the music turns as if by magic. 😳
You’ll see in the picture that the device has two pedals. The right one turns the page forward and the left one turns the page back for repeats or in the event of my accidentally tapping it twice and turning two pages. Because of the pedal, I don’t have to miss notes in the score to turn pages.
The pedals are used my many instrumentalists and conductors – not just pianists. It’s truly a stress-preventing tool for me.
The Metro Double-Zip Pouch comes with instructions for three sizes. The Large is 10-1/2” x 7-1/2”; the Medium is 9″ x 6″; the Small is 7½” x 4¾”. My next Metro exercise is to make the three sizes in similar fabrics with SF-101 interfacing so I can see how they compare. Here’s the Large in Makower Vintage Clocks. The lining is a top-weight linen in Tobacco from Jo-Ann’s. The hardware is from Dritz, purchased at Jo-Ann’s. The “Handmade” zipper pull is from Emmaline Bags.