Making Memories

While I was at camp, there was barely a minute to spare. I thought I was going to be able to volunteer in the costume shop and help them out with stitching. I brought my current knitting project and a couple of sewing projects, along with my beloved Bernina, and didn’t have nearly as much handcraft fun as I thought I would.

So you can imagine that I’m happy to be home and back in my sewing room. The Lovely Lady Leslie spent a few days in Youngstown after camp, and I was able to sit her down in my sewing room—instead of long distance—and show her patterns and fabrics and determine what would work for her and what wouldn’t.

Ever the dancer!

I used McCall’s 7020, which I used twice for camp tops. And what a difference a fiber can make! I never loved it in the cotton I got from Mood for my top. It felt wimply. I liked the look of the top itself on me, but could have chosen a better fabric if I lived in a town where I could pet fabric! Made up for Leslie in this is drapey rayon jersey, I think the result was much better. That gorgeous cowl collar will drape much more nicely, and I think she’ll get a lot of wear out of this.

<Sidenote On>
One morning at breakfast in the dining hall, I sat down next to Emily, who is the host in the Minnesota Building, down on the lakefront. She complimented me on the top, and I replied, “Thank you. I made it.” She observed that it looked very “Eileen Fisher.” That made my day!!!
<Sidenote Off>

I goofed a couple of times on this top and could kick myself. I topstitch the center front and center back seams with a double needle with wooly nylon in the bobbin. But when I trimmed the excess seam allowance away, I—ohmygodnononono!—cut the fabric. TWICE. Okay, so one was just a little nick. But the other was a four-inch gash!!!!! Fortunately both oopsies were close to the hem, so I pressed fusible interfacing to the wrong side and stitched a few more of the double needle topstitching lines over the problems. (I hand-stitched the gash closed first, then fused over it.) If Leslie doesn’t read this, she’ll never know. Even if she reads this, she may never be able to find my fix. I hope. It certainly won’t affect her wearing of the garment.

Otherwise, nothing unusual about this project. I did spray the wrong side of the CF and CB seams with starch and press them before topstitching, to give them more body while stitching. That left a starch residue on the garment, so last night I washed it in the machine with a couple of bath towels to try to remove the residue. Success! I normally wouldn’t dry a rayon jersey, but the collar and collar seams are bulky on this garment, so I put it in the dryer for about 15 minutes before finishing the hem.

Did my normal interfaced hem trick: Both hems (bottom and sleeves) were 1¼” deep, so I cut several strips of fusible tricot interfacing, which I fuse to the wrong side of the edge of the hem allowances. When I fold it to the inside and press, I have a clean fold on the hem, and sufficient body to support the double-needle topstitching for the hem finish. I think Marcy Tilton taught me that, and I am forever grateful.

And I’m baaaack!

That danged clock keeps ticking. I’m now less than a month from the day I leave to drive to Interlochen. I’ve got to go to Asheville this weekend for my mother’s 102nd birthday, and the 19th through the 22nd we’re going to Toronto and Niagara Falls with friends to celebrate my [there’s a five in it] birthday. I refuse to look at the calendar and calculate how much I have left to do before I leave. I’m just sewing and sewing and making myself crazy.

This afternoon I finished Green Bee Patterns’ Frances dress. It was easy to procrastinate, as I just didn’t love it. But now that it’s done, I do kinda love it. It’s very different from all the knits I’ve been sewing lately – all those Lagenlook-inspired flowy tops. But it’s cute—especially with leggings—and a nice change. If northern Michigan gets hot this summer, it will be cool and nice.

<Short Story Time>
In 1989, my younger son went to National Music Camp (now Interlochen Arts Camp) as a 14yo percussionist. The camp sessions in those days were eight weeks long. We had carefully packed everything he’d need to live in a cabin in the woods in Intermediate Boys Division. A few days later he called me and said, “Mom, can you please send me another blanket and a fan?” I laughed and have been laughing about that for 25 years. That’s what northern Michigan is like in the summer. It can be cool and rainy, or warm and rainy, or lovely. And it’s frequently chilly at night. He used both that extra blanket and that fan all summer long.
<Short Story Time End>

So I’ll need sweatshirts and cool cotton shirts.

Here’s the pattern review:

Pattern Description: This classic shirt dress features a short or 3/4 sleeve variation, front and back darts for subtle shaping, a yoke which the dress front and back gather into, a button placket, and collar. Stitch it in a single fabric for a classic look, or add a contrast fabric to the collar and placket.

Pattern Sizing: Women’s sizes XS-XL included. I cut L and it fits the hips fine – see below for bust thoughts.

Did it look like the photo/drawing on the pattern envelope once you were done sewing with it? Yes – I used solid color, no contrast. I chose the short sleeved version.

Were the instructions easy to follow? Yes, with a couple of exceptions.

1. I wasn’t clear on how to attach the collar. I spent some time picturing it in my head, then sewed right side of color to wrong side of yoke and front, pressing it out and hand sewing the folded edge of the collar to the right side of the yoke and front. That way, when the collar is folded, the whip-stitched part of the collar is hidden.
2. The instruction step for stitching the sleeve band to the sleeve was missing, although an illustration was there. This was another step I spent a lot of time working on and trying to envision.

What did you particularly like or dislike about the pattern? It’s not really my style. I thought it would be fun to do the sewalong on Craftsy with Alexia, but life got very complex around that time. Then as I started preparing my wardrobe for six weeks as an accompanist at Interlochen Arts Camp this summer and the requisite dark blue bottoms/light blue tops uniform, I decided to do this top in solid light blue and save the Cotton+Steel yardage for another Swoon bag.

Fabric Used: From Fashion Fabrics Club, a pale blue shirting with 98% cotton and 2% lycra. Nice stretch, and it was on sale for $3.95. Can’t miss!

Pattern alterations or any design changes you made:
I’m pretty particular about having my inside look as nice as my outside. The yoke is outside only, leaving all those edges hangin’ out on the inside. So I scratched my head and tried to remember how to do a double yoke – from probably 20 years ago. Yea, not too many cobwebs in my brain!

I jury-rigged the inside yoke, as I didn’t think about this technique until I had sewn the back to the yoke and topstitched. I folded under the seam allowance on the back of the inside yoke, then top-stitched it into place. You pin the front pieces to the left and right of the outside yoke. You can baste them in place if you want. Then roll the back up from the hem and wrap the other piece of the yoke around it, pinning the two yokes right sides together with the front pieces sandwiched between them. You stitch that seam, them you pull the back and the front out through the side and everything magically turns itself rightside out. Your raw edges are enclosed in the yoke, and the insides are beautiful.

When you attach the collar to the yoke and front neck, the folded seam allowance on the collar will hide all raw edges. When you attach the sleeves, you’ll have those raw edges, but you sew a second row of stitching about 1/4″ from the first row, then trim the raw edges close to the second row of stitching. Those will be the only raw edges you have and they’re not at all unruly.

This “burrito roll” is easy to do and fun – sorta like a puzzle. Here’s a YouTube video that explains it better than I did.

The other change I made was to fold several inches out of the body front and back. I wanted a tunic rather than a dress.

Would you sew it again? Would you recommend it to others? I won’t sew it again, as it’s really not my style. But I would recommend to others, especialy beginner sewists. Nice pattern.

NOTE: If you are busty, or low-busted, I recommend doing a muslin of the top as far down as the darts go. These darts hit me right on the bust apex and the pocket kinda points right at the “hill.” (I’m a DD and somewhat low-busted. I had a conversation with Alexia before starting the pattern, and she thought it would be okay because of the gathering at the front shoulder – that I wouldn’t need to do a FBA.)

When I get to camp, I’m going to see if it fits my Texas friend any better than it fits me through the bust. If so, and if she likes it, it will move to her wardrobe. If not, I’ll probably wear a minimizer with it. But really, with the lycra in the fabric, it’s not terrible. I’m just overly sensitive about drawing attention to the “girls.”

Conclusion: I had a hard time getting through this project, as I wasn’t in love with it. But once I finished it and slipped it on over calf-length leggings, I wanted to dance around. This will be a perfect summer outfit.

You can still get the kit through Craftsy. Honestly, the high-quality fabric and the pattern and as I write this it’s on sale for $24.50 — a steal!

Blogless Anna, whose writing and sewing I love, made a Tessuti Eva dress a few months ago, and it stuck in my mind. I thought if Northeast Ohio ever escapes winter, I might like it for a summer dress. A couple of days ago, on one of my 25 mile drives to accompany a high school chorus, I stopped at Olive Grace Studios, a sweet little quilt shop about ten miles north of my house. There, tucked under the front counter, I found this great linen covered with Xs, sorta sashiko quilting, but not really. It called out “Eva” to me. Link to the dress pattern.

I won’t write a full review right now, as today and tomorrow are actually summery. The Jazzman just got off work and we’re racing out the door to drive up to the lake (Lake Erie, if you’re not from around here) and hang with our pals.

Here are my thoughts:

• If you’re making the dress, a softer fabric is probably better than a midweight. I feel this is a little stiff and, hence, makes me look a little more portly than I actually am.
• I love the bound neck and sleeves. The bound hem? Not so much. In fact, tomorrow while the rest of our friends are golfing, I’m going to sit with some nice music or an audiobook and rip out the hem. Then when I get home, I’ll interface and turn up the edge by ½”, giving it a smoother, softer, and less obvious hem.
• The pocket instructions are a little wonky, for my taste. There seemed to be an emphasis on sewing to the notch and sewing the pocket bag completely separate from the side seams. I sewed and ripped and sewed several times.

<Side Seam Pocket Tutorial On>

I believe the better way would be to sew the each of the four pockets RS together to the front and back side pieces, matching the notches. The seam width would be a smidge smaller than the seam allowance for the side seams. So in this garment the seam allowance is ½”, so my seam to attach the pocket pieces to the side pieces would be about ⅜”. After sewing those four small seams, I would press the seam allowances toward the pocket, then on the front pieces only, topstitch the pocket to the seam allowances. (In the picture, you see the front of the pocket and its topstitching at the top of the picture. At the bottom you can see the back seam with no topstitching. You can click the picture to enlarge.)

Once that’s done, pin front to back on the side seams, pinning the pockets together. Stitch from the top (backstitching to secure the first couple of stitches) down to the notch, reduce stitch length to 0 and take one stitch to secure, then raise presser foot and pivot, lower the presser foot, return the stitch length to the previous setting, stitch around the pocket bag to the bottom notch, reduce stitch length to 0, take securing stitch, raise presser foot and pivot, lower presser foot, and stitch to the bottom, backstitching at the end of the seam to lock the stitches.

Serge or zigzag the raw edges. Clip the seam allowance at the notches, being careful not to cut the seam stitching. Press the seam flat, then press the seam allowance to the back and the pocket and its seam allowance to the front.

<Side Seam Pocket Tutorial Off>

It sounds complex when written this way, but once you’ve done it a couple of times, it’s very logical. To me, this method avoids grabbing bits of seam alliances where you don’t want to grab them–and therefore avoids a lot of seam ripping.

There was one more disappointment with this fabric. I finished the dress, drove to the lake, and sat down in a wicker chair in our friends’ lake house. When I leaned over to pick up something, I realized a rough edge in the wicker chair had snagged one of the thread Xs and pulled it out about six inches. My heart sank to my feet. Now that I’m back home, I’ll take a needle and try to pull it back through and secure it. But I may get to the situation where there are so many thread snags that I have to just pull them all out and have a plain linen dress.

C’est la vie!

P.S. Ran back to the quilt shop today to identify the fabric. It’s Diamond Textiles’ Primitive Collection, very similar to PRF 707. To my eye, the base fabric is taupe-olive, and the threads are cream and a blush pink. We’ll see how long these threads last. 🙂

I have an ongoing love affair with Eileen Fisher. This affair is about 20 years old, and is quite passionate. Oh, the hours I spend looking at her various styles online at Nordstrom, Naturals-inc.com, Neiman-Marcus, and the EF website. Whenever I wear a piece of EF clothing, I feel très chic.

I recently discovered McCall’s 7020. If you look at the line drawings on the pattern back, this pattern is very similar to several of my favorite EF sweaters. Pairing the boxy top with a skinny pair of pants and flat shoes or boots gives me an instant put-together look.

You’ll remember I’m assembling a sky-blue-over-navy-blue wardrobe for my six-week gig as a collaborative pianist at Interlochen Arts Camp this summer. I found a sky blue cotton jersey at Mood Fabrics that I used for the Sewaholic Renfrew t-shirt that I blogged about here. I had enough left for one more shirt, and—after being reminded by my DIL-Equivalent that all shirts must have collars—decided to make the McCall’s boxy top with the cowl neck.

Now that it’s all done, I don’t love it, but I will wear it. The fabric doesn’t have enough “oomph” to it, as I intimated in the previous post. I think I would love it in a nice sweater knit, like the purple one I wore to show off my latest knitting project. I would also like it in a rayon/lycra knit or an ITY poly/lycra knit—just something with a little more body and a little less chance of my bra showing through.

About the time I was making the first blue t-shirt, I found this Birch Organic Sweatshirt Fleece online at Hart’s Fabric in Santa Cruz. Yum yummity yum! You want oomph? This fabric has oomph. It has cat sleeping on your lap warmth and comfort. As I was trying it on during the sewing process, I kept thinking it might just be something to sleep in on cold Northeast Ohio winter nights!

Story time: When DS#2 went to Interlochen Arts Camp—then known as National Music Camp—for the first time when he was 14, I packed him up with all the requisite navy chinos, navy shorts, sky blue polos, red sweaters, and linens for the eight-week session. He would be living in a cabin, and his linens included a blanket. About a week later, he called me and asked if I’d send him another blanket and a fan. That tells you a little about summers in northern Michigan. It gets hot, and it gets cold. So I’m trying to make sure I have enough warm layers to keep me comfortable no matter what Mother Nature throws at that magical land between the lakes.

So, anyway, when I saw this sweatshirt material, I grabbed enough to make a sweatshirt. Indie pattern designer Jennifer Beeman, of Grainline Studio, recently introduced her Linden Sweatshirt and I quickly downloaded the pattern, thinking it would be an enjoyable project. But then after looking at McCall’s 7020, I thought it would be interesting to make a second version in the heavier fabric.

Okay, I’ll admit that the sweatshirt fabric, as yummy as it is, isn’t really the right fabric for Eileen Fisher’s boxy drop-shoulder top McCall’s 7020. Will I wear it? Absolutely. I’ll probably wear it over and over this summer. I have a couple of tanks in a similar blue that will give me an extra layer if it’s that cold. And it’s the right length to shove my hands in my pants pockets without destroying the line of the top.

And—she said, patting herself on the back—the double-needle stitching and the binding is fricking brilliant!!

Here’s what I’m talking about.

I was short of fabric, so I cut the top and the sleeves at a shorter length. For the neckline and sleeve, I cut a binding strip of 2⅛”. For the hem, I cut two binding strips of 5″.

The body has center front and back seams, which I sewed, pressed open, then double-needle topstitched, centering the seam between the two needles. I think I use a 4.0 needle. After sewing, I trimmed the excess fleece from the wrong side. Love the look!

Neckline: With CF and CB seams already sewn and topstitched, sew the shoulder seams. (I always reinforce the back seam allowance with a strip of tricot interfacing.) Press the seam allowance to the back and topstitch from the outside. Trim the excess seam allowance on the inside. Run your measuring tape around the neckline, standing it on its edge and holding at the seam allowance (not the cut edge), in this case, ⅝” in from the cut edge. For my size L, the length was 27.5″. Multiplying that number by .8 (The Gospel According to Marcy Tilton) gave me 22″. I cut my 2⅛” binding strip a little longer than 22″, probably 23″ (to allow for seaming), lapped the ends, and made a diagonal seam.

(Quilters know what I’m talking about. If you don’t, here’s a little tutorial.)

Here’s the challenge: You want the seam on the wrong side of the binding strip, and you want the fleece to be the outside of the binding strip. So pin it and check it a couple of times to make sure you’re sewing the fleece side together and making the seam on the sweatshirt side. Don’t do what I did: First I made the fleece the wrong side. When I realized what I had done, I made the seam on the correct side, but I turned it the wrong way before pinning, so I ended up with a mobius strip!!! No. Good.

The seam (when correctly sewn) becomes the center back—mark it with a pin. Fold in half and find the center front and mark with a pin. Match the binding CF and CB to the garment CF and CB. Now pin cut edges together, fleece side of binding next to sweatshirt side of garment neck. Pin 1:1 from CB to the two neckline seams, then stretch the binding from the neckline seams to the CF. This will make the finished binding lie flat and hug your neckline. Sew with a ⅝” seam. Press the binding toward the neck opening, then wrap to the back so it just covers the seam. No need to worry about folding the raw edge under, as this is knit and will not fray. Place pins on the right side just under the binding seam and catching the edge of the binding raw edge.

Topstitch the neck binding with a double needle, running the seam centered between the two needles, catching the fleece binding with the right needle and the sweatshirt with the left needle.

Sleeve: This binding goes on after flat insertion of the sleeve into the armhole, but before sewing the underarm seam. Cut the binding strip a little longer than the cut edge. Sew with a ⅝” seam and press the binding toward the sleeve end. Wrap as you did the neckline, and press well. Now trim the ends of the binding to match the right side of the sleeve, including that wrapped ⅝”. When you open the binding out, you’ll see an angular hourglass. Finish the garment hem before topstitching the sleeve binding.

Hem: Cut the 5″ binding strip wider than the front and back hems (you still have not sewn the side seams). Pin the fleece side of the binding to the sweatshirt side of the front. Being careful not to stretch the binding, sew with a ¼” seam. Press binding away from the body. Turn the garment wrong side up and fold the strip to just cover the binding seam. This should give you about a 2″ hem band. Press well.

Sew side seams. I always start under the sleeve and sew to the end of the underarm seam, then go back and start at the same place and sew to the hem. This lets me make sure my underarm seams match and the seam allowance gets cleanly sewn toward the sleeve, and also helps me make sure my garment side seams end up the same length. It takes a few moments longer, but that’s my ripper use prevention technique.

Press the seams to the back.

Now pin the sleeve bindings in place, so the raw edge just covers the seam. Turn the sleeve wrong side out and place under presser foot. Double-needle topstitch, centering binding seam between the needles. Trim excess binding from the inside and press again.

Repeat with the hem, being careful not to stretch.

I hope that makes sense to you and that you’ll try it to see if you like. I’m thrilled with the result!

And Rudi likes it too. Oh wait, that’s Rudi we’re talking about. He likes anything that involves his getting a little lovin’.

One last note about the side view of the sweatshirt. It probably could have had a length adjustment in the front, in lieu of a FBA. But I didn’t. I’m thinking that after a few washings, it will soften up a little and not stand out so much. At least that’s my hope!

About DS#2 who went to National Music Camp in 1989 at age 14—you do that math. He turns 40 tomorrow!!!!!

Here’s what I’ve been doing for a year-and-half now and I have lots of perfect hems. I buy soft fusible tricot. Using my rotary cutter, I cut strips the width of the interfacing. I cut them however deep the hem is (1-1/4″, 1/2″, whatever). After the side seams are sewn, fuse the interfacing to the wrong side (inside) all the way around the hem so one edge is at the cut edge of the hem and the other is at the hem fold line. Then fold on that fold line and press. What a beautiful clean hem! Then hand wind a bobbin with wooly nylon and topstitch from the outside with a double needle using the garment thread on the outside and wooly nylon on the inside.

Because of the wooly nylon, you won’t get a double-needle “ridge” and the hem will stretch. Clean and beautiful!

On my sleeves, I apply the interfacing to the flat sleeve piece, before sewing underarm seam. Press the hem in before sewing seam and it will be very easy to sew the hem when you’re done. On the Crossover tunic, I sewed the seam before attaching the skirt to the bodice – much less fabric to handle.

Hope you try and like this method as much as I do.

http://www.sarahveblen.com/interfacings.php