Making Memories

I love learning new things. The reason I write my blog posts in so much detail, and carefully tell you every mistake I made, is so you might learn from my errors and be inspired to try using one of the bag patterns I use.

Back in April or May, I was on the Klum House site, looking for something or other, and saw that Ellie Lum, the designer behind the label, was offering an Intermediate Bag Making class. It was more than I usually spend on an impulse purchase, but I wanted to learn what Ellie had to offer. So I paid my money and chose the colors I wanted for the three bags I would learn to make. Then I noted the class start date and forgot about it.

A few of weeks later, about the time I was up to my ears in senior showcase performances, and church sub gigs, and preparing for my accompanees’ juries, the box of class materials arrived. I set it in my sewing room and forgot about that, too.

Juries came and went, the death of a dear friend threw me off-course for a week or so, the trip to Amarillo and Dallas to see my two sons came and went, and suddenly I realized I had missed the first Zoom meeting of the class—without even opening the box of materials. Without even being sure where I had stashed the box!

Sheesh! Last year was one tough year. But I’m very grateful to have been able to carve out time in the summer to learn about sewing with waterproof waxed canvas, leather strapping, and all the different connectors Ellie Lum has included in her bag design.

I won’t go into all the details of my boo-boos on these bags. I may add them later, but for right now, I just want to get these pictures out for you to see. I’m very proud of them.

The first bag was the Oberlin. It could be used as a purse or a tote bag.
The true colors are gray and black. It has a zipper closure and a magnetic snap, canvas lining, an interior hanging zippered pocket, and front and back exterior pockets that span the width of the bag, but are each divided into two pockets.

Several of the class students had trouble with the final stitching of the exterior and lining pieces. In my kit, I felt the exteriors and interiors weren’t exactly the same size, and those differences led to unwanted tucks in the stitching. I want to make the bag again soon, before I forget anything I learned, and see if I can get a smooth final stitching.

The second bag was the Maywood Tote/Pack. It can be carried as a tote bag, or pull up on the cleverly designed leather strap, and wear it as a backpack. Beyond cool!

I chose Moss and Black for the colors of the bag and here’s where the Maywood and I ended up: 💚.

I have never, ever, in my entire life, loved a bag the way that I love this bag!!! The first Maywood photo at the top of the post is the front of the back. The photo with this paragraph is the presto-change-o backpack. Cool, huh?!

“Pockets?”, you ask. We’ve got pockets! The front of the bag has a slip pocket that spans the exterior (the black rectangle in the first photo). That pocket has a magnetic snap that holds it closed. And the interior has another slip pocket that goes from the base of the bag to about two inches from the top, and from side to side.

It easily carries everything this collaborative pianist schleps to work with her every day. For example: iPad holding all my music (currently about 1800 pieces of music, plus three musical theatre scores); my page turn pedal; special reading glasses enabling me to see the mid-range of the piano music stand; my iPhone; sometimes my MacBook Air; sometimes a scarf or jacket; Apple Pencil and case; pencil and pen and highlighter; bottle of water; N95 mask; and small crossbody bag holding my ID, credit card, Kleenex pack, proof of vaccination. And it all fits easily into the bag and isn’t outrageously heavy!

Today I took carried it to a voice lesson I was playing with my favorite voice professor/neighbor/friend who had just returned from several weeks of vacation. When I walked into her studio after she had warmed-up the student, she stopped what she was doing to look at the bag, sling it over her shoulder, and ask me if I’d make one for her. 😂🤣 That’s how good this sweet bag is.

So that’s two of the bags in the Intermediate Bag Making class. The third is the Naito Bucket Bag. I finished it the day before yesterday, quickly took photos, and posted it to a couple of social media sites. But I haven’t carried it. But I sense it may become second only to the Maywood.

The color of the exterior waxed canvas is gray. The interior is a natural canvas. I love using light colored linings—you can find your contents much more easily with a light-colored lining. 👍

One of the best features of the construction of this bag is one of the great tricks of sewing. That’s knowing how to sew a curved edge to a straight edge. Honestly, I think this is the easiest such maneuver I’ve ever done! And I did it twice, perfectly. The bucket bottom of the exterior and the bucket bottom of the lining both require this trick. I didn’t cry. I didn’t curse. I didn’t even pull out my seam ripper! That success makes me want to construct more and more of these bags!

The other success on this bag arose out of failure in the Maywood. It was absolutely a user error, not an error in cutting at the studio or in design or documentation of the pattern.

Both arose out of the magnetic snap rivets that secure the Maywood exterior slip pocket and the Naito top hem that enables the user to make that cool fold in the top of the bag when you pull up the strap.

There’s an “innie” and an “outie” anvil that correspond to the outie and innie snap heads. If you don’t use these anvils and your hard setting surface and your mallet when setting those snaps, they don’t set completely and the cap of the snap will fall off. Trust me, I know. It happened to me. I had to use my seam ripper and scratch my head to figure out how to cover up that error.

But I did figure it out. And you can bet I patted myself on the back. 😊

So if you want to increase your skill set and have fun while doing so, go check out Ellie Lum’s current class offerings, and see if there isn’t a bag that appeals to you. I think you’ll be happy you did.

This weekend we’re attending a Bonnie Raitt concert. We bought the tickets back in mid-February. I am not familiar with much of her work. Jas, however, knew when he saw her name on the concert list for this summer that she was on Rolling Stone Magazine’s “100 Greatest Singers of All Time” and “100 Greatest Guitarists of All Time.” He loves guitar music and tried for about the past eight years to learn to play the instrument. But when he started trying to learn to read music, he put his guitar in its case and it hasn’t seen the light of day since that time.

The last year I spent time at Interlochen was 2019, when I was one of the collaborative pianists in the dance division for the first three-week session. I noticed the sign that stated all concertgoers were prohibited from bringing bags into Kresge Auditorium. However, they could bring see-through vinyl bags or Ziploc® or similar bags to carry their phone, wallet, and other necessary items into the venue. (Did you notice the graphics on the lower right portion of the ticket photo? Those represent things you can/can’t bring into the venue.)

Sara Lawson, of Sew Sweetness Patterns, one of my favorite bag designers, released a bag to be made of clear vinyl, and I made two of them last year—one for my friend who works in HR at Interlochen Arts Camp, and one for my daughter-in-law, who teaches High School Contemporary Dance at Interlochen Arts Camp. Both those bags are shown in my post, “How Time Disappears During A Pandemic.”

That bag, the Pinto Stadium Bag, is not easy to make—in my opinion—because of the curved corners on the bag. The bag has a gusset around the sides to provide depth in the bag, increasing what you can easily carry in it. The gusset is rectangular, and sewing a curved edge next to a straight edge requires a lot of fidgeting with the edges.

As I was thinking about wanting to make a bag to carry to the concert, I kept thinking about those accursed curves. (Carry a Ziploc bag for my purse contents? Seriously? You must not know me very well!) I remembered that I had bought a new pattern a couple of years ago, printed it off, and tucked it in a holding place in my sewing room. That pattern was the Hello Pouches pattern from Knot + Thread Design. I’ve admired this bag since I first saw the pattern, but have never had a reason to make it. Well, this week meant a long-awaited concert was my reason.

I have four varieties of vinyl for use with these bags. Vinyl by the yard comes in varying thicknesses, from 4 gauge (0.004 inches thick) to 80 gauge (about 0.08 inches thick). I believe mine is all 12 gauge, as recommended by Sara Lawson in the Pinto pattern. I have the normal clear vinyl, along with a see-through yellow, pinkish-red, and blue. For my “Bonnie Bag”, I chose clear.

I then dug through my fabric stash to see what I could find. Very long ago, in March, 2020, when all hell broke loose worldwide, I bought some fabric to make a tote bag for my sister’s grand-daughter-in-law, whom I’ve come to adore. I was making a bag for her. She wanted a black bag as she usually wears black. (Who does that sound like?) And she wanted a lining fabric that would demonstrate her support for her LGBTQ child and friends. For the rainbow fabric, I selected “Rainbow Graffiti Stripe” from the Buzzin’ Around collection by Kim Schaefer for Andover Fabrics. I had just enough to act as the accent fabric for this bag.

I chose the size Medium. But I wanted to have the greater part of the sides made out of the clear vinyl, rather than the fabric. As designed, the fabric base, once the corners are boxed, is about ½” to 1″ less than the height of the top (vinyl) piece. I wanted the bottom piece to be much shorter than the vinyl piece, so the ushers who cleared us into the venue could clearly see that I was not carrying any contraband into the concert. My finished bag has about 1½” of fabric and about 4″ of vinyl, topped by just over ¼” of top binding and the zipper. The zipper installation is one of those cool installations where you use half a zipper and one pull. I don’t understand why this works, but I’ve done several of these, and know it does work.

I wanted a wrist strap for this bag so I didn’t have to carry it into the venue and balance it on my lap all evening. I opened the Sew Sweetness Metro Double Zip Pouch pattern on my iPad and copied the instructions for the wristlet strap. I sewed the D-ring onto the bag by hand (i.e. with a needle and thread), and whipped up the wristlet strap out of a deep violet fabric from my stash.

I am so incredibly happy with this bag, I can hardly stand myself. If you don’t know this about me, I have two beloved grandchildren, ages 21 (in four weeks) and 19, who are transgender. I have a number of students I accompany who are LGBTQ. I frequently play for local musical theatre shows, and many of those actors are LGBTQ. I love all of my students, regardless of the flag they fly or how they present or whom they love.Carrying this bag will advertise—to anyone who needs the support—that I am an ally. If they need someone to talk to, there I am, proud to be supportive of their lives.

And I’m proud of having figured out how to hack the “Hello Pouches” pattern to meet my specific needs. Yay, Me! 😉

My partner of twelve years had another birthday last Thursday. On Monday, I remembered I had thought, six months ago, that I wanted to make him a small backpack/sling bag for future travel experiences. I had a bag in my head that I had seen somewhere as I cruised through the websites or Facebook pages of the various independent bag designers whose patterns I love. I checked all the pages I could think of, but couldn’t find that bag that had formed in my imagination. I posted on the “PDF Love of Bags” Facebook group asking for help identifying the sling bag I was envisioning. Those comments pointed me to the Noodlehead Sandhill Sling.

The first picture is the truest representation of the color. The vinyl is a deep green-gray. The first zipper I tested with it was an olive green, which would have been fine. But when I found the lining fabric in green, navy, and gray triangle confetti on cream, I opted for navy zippers and webbing.

I watched the Sew Creative “Video tutorial on the Sandhill Sling Bag By Noodlehead” on YouTube and added two zippered pockets to the interior. The pocket I placed above the elasticized-top slip pocket is only about 3″ deep. It’s perfect to drop your keys or change or other small items you want to find easily into. The exterior closure, the exterior pocket, and the front interior pocket all have blue zippers. I gave the key pocket a spring green zipper to jog the recipient’s memory when he reaches in to grab his keys.

The other tip I picked up from the Sew Creative video was to put two D-rings on the bottom, one on either corner. This way, if you have a habit of just slinging the bag over your shoulder and tucking it under your arm, you can clip the strap to whichever side makes it more comfortable for you.

The finished bag dimensions are 7” wide by 3” deep, 11” tall. If a user has very large hands, they might have trouble reaching into the pockets to retrieve the contents. For that person, you might want to make the exterior pocket with the flap closure and no zipper. If you really want the exterior zippered pocket, then you could skip the zipper cover. The interior pocket zippers are only about 6″ wide, therefore snug. But my piano hands fit nicely inside to grab my imaginary contents. The interior pockets are absolutely not necessary or required. This is the perfect bag to just carry a couple small bottles of water and a foldup map for a two-hour hike or a three-hour 🛥️ tour. 😉

I used Dritz 1½” polyester (feels like cotton) webbing for the strap. My local JoAnn’s doesn’t carry the navy in 1½”, so I ordered it from Amazon and had it the next day.
[Note to self: Noodlehead carries the webbing in 1½” and 1″ widths. Plan ahead.]

When the bag was introduced, the designer, Anna, sponsored a sewalong. There are YouTube videos on the Noodlehead Sewing Patterns channel. They’ll get you through any tough spots.

One feature Anna added in the sewalong video was a carry strap at the top. She cut it to 9″ and sewed at the top of the bag. I used the leftover 1½” strapping for mine, but next time I will use her recommended 1″ wide strapping. It’s easier to grab. But I think this carry strap is a great thing to have on this bag. I’m glad I added it.

Other details I added: I bought some zippers in Bali four years ago that had cool dangles from the pulls. They’re very short zippers, maybe 5″, and I rarely find use for them, so I just used a thin screwdriver blade to open up the top of the pull and slip off the cute little metal ball dangle. I used a split ring to connect it to the pull of the exterior pocket zipper. My top exterior zipper is a regular YKK zipper with long pulls, so I didn’t add anything to that. The front interior zipper has a gunmetal “Handmade” dangle hanging from it, and for the key pocket, I found a strip of ⅛” wide navy ribbon which I threaded through the pull for ease in opening the zipper. And, of course, my Jananza label is fused to the elasticized-top interior slip pocket. These little details always bring me joy. Anna adds waxed cord zipper pulls to the main zipper. She carries the cord in several colors on her website.

All the hardware on the bag is gunmetal, as I felt that went well with the darkness of the vinyl.

Do I love this bag? Yes! Would I make it again? Yes, although probably not with vinyl. I would, however, make it out of waxed canvas or cotton for the durability, or out of a favorite quilting cotton for the softness and variety of fun fabrics.

Sandhill Sling Photo Gallery

[Show as slideshow]

Two extra pictures for Alycia, who commented below. (Click or touch to enlarge.)

My dear friend, Debi, had a birthday a week ago. Her new age has a zero in it. So another friend who spends a part of each summer in a lakeside cottage on Lake Erie planned a birthday party for July 3 and invited the entire group of friends.

In the past year or so, I’ve sworn off making bags as gifts, because I think all my friends are maxed out on my handmade bags and accessories. But as this is my summer of decreasing the size of my fabric stash, I decided to make a byAnnie “Clam Up” bag. Debi regularly meets up with family members at their cottage in the woods, or at a house on the Carolina shore, so I thought the Clam Up would be great for stashing small items to tuck into her suitcase. I always treat my bags with Scotchgard® inside and out, so they’re nice travel bags. They can just be spot-cleaned if a stain pops up.

Disclaimer: The first two photos are not of the bag I gave Debi. I forgot to take pictures. But see below for the pictures that just arrived in a text after she got home from the lake.

When I dug into some of my stash containers, I found several pieces of Tula Pink prints that I had bought early in the pandemic for small bags and pouches I dreamed of making. Alas, now I’ve gone back to work and just finished a chock-full-of-music school year that left minimal time for sewing. The set I thought Debi would like were from Tula’s Zuma collection – Sea Stallion and White Caps. The colorway is called Glow Fish. I first thought of using Sea Stallion for the exterior and White Caps for the interior. But I wanted more of a “solid” for the lining. I dug into the Tula Mineral collection, of which I bought a bundle of half-yard pieces when they came out. I chose the color Agate (pink) and a hot pink zipper for the Zuma Sea Stallion, and the color Morganite (orange) and an orange zipper for the White Caps. And the intention to make two bags arose.

I made the Sea Stallion in size XL, then decided to make the White Caps in size L. These bags all are perfectly sized to nest. My initial idea was to nest them and give Debi both the bags, with a tube each of Aveda Hand Relief and Foot Relief tucked inside. But I ran out of time to finish the White Caps bag yesterday before leaving for the lake.

Many byAnnie bags are stabilized with a foam product, “Soft & Stable®,” that was designed by Annie Unrein, the founder of byAnnie. Stablizing with this foam gives you a bag with body. It stands up nicely and doesn’t collapse with the weight of all the goodies you’ve stashed inside. (Follow this link to see an excellent example of a bag with and without Soft & Stable.) But quilting it really is required to give the bag that body. I used Soft & Stable in one of the test bags I made this spring while trying to decide what pattern to use for my cousin’s bags. This is that test bag. I hate how it turned out. Because the foam was not quilted to the exterior fabric, it doesn’t look like it should, and the exterior fabric just flaps loose from the foam. Ugh! All that work and it’s just not the bag it should be. I was outrageously disappointed.

For the Sea Stallion bag, I just did vertical quilting about 1¼” apart. But when I sandwiched the White Caps with the foam and Mineral Morganite, I wanted to quilt those waves. I’ve had my Juki TL-2010Q for three years now and have never done any free motion quilting with it. In fact, I don’t believe I’ve done any free motion quilting at all since I had my Bernina 1630. That machine was retired probably around 2016. So I am very rusty on moving the fabric around under the needle. Actually, as I sit here lookin at the White Caps bag, the quilting is not terrible. I think I will start practicing and improve my technique!

That’s the tale of the two Clams. Once I got into this make, I remembered how much I like this pattern when made with the #5 zipper and the quilting. It goes together quickly and easily. I think I’ll be making more to get rid of more fabric.

And if you wonder what we love about hanging out at Lake Erie, get a load of this gorgeous weather yesterday.