Stolen Moments

Modeling at the Bernina StoreI’m a sucker for early-morning shopping from my inbox. Once my stash is full, I have to consciously tell myself, “Don’t look. Don’t look.”

imageWhile on vacation, I looked at a Fabric Mart sale email and fell for this black and white “tie-dye” stripe. And I’m glad I did. This rayon/lycra blend knit is soft and super comfortable.

I love the lime green version of Katherine Tilton’s Vogue 8710 that I made in June, but I don’t think it goes with anything but white pants. Summer. In Northeast Ohio, summer is long gone. Additionally, I made the green top with horizontal stripes, as opposed to the vertical stripes shown in the pattern. So I wanted to try a version with horizontal stripes. And this fabric was on sale for FOUR DOLLARS!!! Sold.

The “Stolen Moments” refers to how busy I am preparing for a mid-November “Company” production in Sharpsville. There’s really no time for anything but work and music–and it’s killing me!! So I’m sneaking 15-30 minutes here and there. The Jazzman falls asleep in front of the TV and I race to the basement for 20 minutes of sewing. I’m ready to leave for work 10 minutes early? Sewing time!

You know the old adage, “Where there’s a will, there’s a way”? That’s me. I had a will to make this top and found a way!

Here’s the review:

V8710Pattern Description: MISSES’ TOP: Semi-fitted, pullover tops A, B have topstitching details. B: forward shoulder, top mostly cut on crosswise grain, bound neck edge, long sleeves, stitched hems.

Pattern Sizing: Y(XS-S-M), ZZ(L-XL-XXL) Katherine’s Large fits me just right.

Did it look like the photo/drawing on the pattern envelope once you were done sewing with it? Yes, with reservations – I think Katherine and Vogue used a cotton/lycra blend or a heavier knit that my rayon/lycra. To me the pattern illustration looks more t-shirt-y and mine looks more tunic-y. (Looking again at the pattern envelope, maybe my fluid rayon/lycra falls more closely to the body where the heavier fabric just skims one’s curves.) But I love it!

Were the instructions easy to follow? Yes. No hiccups, no hurdles.

What did you particularly like or dislike about the pattern? For me, this version was an experiment with lengthwise vs. crosswise stretch. In the first version, the body was crosswise, and then I noticed the pattern was lengthwise. So for this version I cut the body lengthwise. V8710Only when I was setting the sleeve in did I realize the pattern calls for the sleeves to be lengthwise also, and I cut them crosswise. Guess I’ve got to make one more version of this! Does the lengthwise make me look taller and slimmer than the crosswise? I don’t think so. Or the camera lied!

Fabric Used: Rayon/lycra blend from Fabric Mart.

bwbackPattern alterations or any design changes you made: I add two inches to the length along the “shorten/lengthen” lines. This alteration and the way I drafted the side for the extra two inches gives me more of a flouncy, twirly hem on this top. Love it!

2014-06-21 16.42.12Would you sew it again? Would you recommend it to others? Yes. Love it. (Did I say that already?!

Conclusion: When I look at the photos, I just shake my head. For some reason, this top—in photographs—makes be look as big as a barn. But when I’m wearing it and look in the mirror, I love how it looks. Oh well. I do love this top and find it easy to make and (in my mind!) flattering. I got numerous compliments on my appearance when I wore it this week, so that must tell the story.


Compare the black & white version to the lime & white. I think the lime is more flattering. Must be something about the camera angle or the fabric.

Maybe I already said: I love it anyway. 🙂

A Labor of Duty

imageMost of my sewing, when I’m not the intended recipient, is a labor of love. My most recent experience didn’t follow that tradition.

The store owner approached me with three bolts of fabric and a pattern for a little girl’s dress and asked me to make it for a store sample. I was complimented. To my mind, that meant she liked the work I had done on the (much disliked by me) Amy Butler skirt and skirt overlay I had completed a few weeks ago.

Now, I love to sew. Obviously. One could not turn out the number of garments I’ve created in the past 18 months without loving the work. This little dress, however, was a different story. Within five minutes of starting the laying-out and cutting process, I sensed this was not going to be an easy sew.

By the time I was sewing on the final button, I was totally disgusted. I can only hope she’ll give me a bag to make the next time. Or at least something with reasonable instructions!

Here’s the review, if you’re curious:

Pattern Description: Madeline with two variations has a bias cut skirt and buttons in the front. The short dress has a high curved yoke and short puffed sleeves that are finished with contrasting piping and a bias sleeve band. The contrasting fabric is also used as a self-ruffle around the Peter Pan collar and bottom of dress. The other view is sleeveless. The armholes are finished with a bias strip. Pattern includes matching panties.

Pattern Sizing: Children’s 1-4

Did it look like the photo/drawing on the pattern envelope once you were done sewing with it? Yes

Were the instructions easy to follow? Some okay; some very confusing.

What did you particularly like or dislike about the pattern?
1) Be sure to read the entire pattern before beginning, including errata page and extra explanations.
2) Size 4 cutting layout is incorrect. Must be folded on the crossgrain for the skirt to fit on.
3) “Wrap around yoke” – there were four of us, very experienced sewers and sewing teachers, standing around the pattern trying to figure out how to construct the yoke. The instruction illustrations were very confusing, especially regarding the yoke.
4) A French seam on a 1/4″ seam allowance is no good. Once you sew the wrong-sides-together 1/8″‘ seam and trim it, you’ve got two threads holding that seam in place. Then you press, turn, press, and sew another 1/8″ seam? Why not design the pattern with more reasonable 1/2″ seam allowances. That would leave you with a 1/4″ finished seam, which is not too much for a child’s dress. In my mind, this 1/4″ seam allowance is poor design.
5) By this point in the construction of this dress, I was just disgusted. I had cut out the short sleeves, but when I saw the step about piping the binding for the sleeve hem, I decided there would be no sleeves. The instructions and illustration for finishing the armhole on the sleeveless version made it appear that the seam allowance would be visible, not tucked inside. I tried both ways and ultimately turned the seam allowance to the inside, turned the binding under, and whipstitched in place
6) Measurements for cutting strips for ruffle – instructions say to cut 4 (I think – left the pattern at the store) strips of a specific width, selvedge to selvedge. Then you’re instructed to measure the skirt hem edge, front fold line to front fold line. The perimeter measurement was around 205″. You’re supposed to multiply that by 1.75. That’s 359″. You need to cut 9-44″ strips to make that ruffle, not 4! That may seem like a nit, but it’s just recurring sloppy instructions.
7) Turning the leg openings on the panties–given the tight curves next to the crotch–and sewing to make elastic casing was difficult and, ultimately, not pretty. My only consolation as the seamstress on this garment is it’s a store sample and will probably never be worn by a human child!

Fabric Used: 100% Cotton

Pattern alterations or any design changes you made: None.

Would you sew it again? Would you recommend it to others? No. Never. (And given this experience, I’m unlikely to purchase any more patterns from this label or recommend them to any shoppers in the store. Will be advising store owner not to purchase any more.)

Conclusion: Cute dress, twirly skirt any little girl would love, and I can tell the designer(s) put a lot of work into it, but I cannot recommend this pattern. It is absolutely not for a beginning sewer.


Whew! I’m glad that’s over!

Eating Serger Pie

Jocole Yoga PantsYou’ve heard of eating Humble Pie, or of eating one’s words, right? Well, after this weekend’s sewing, I’m eating Serger Pie.

Way back in, oh, 1998, I bought a serger. Honestly, in retrospect I don’t know why I bought it. The magazines I was reading and the classes I was taking at the time all talked about sergers and the beautiful work they allow the home sewist to produce. So I thought I needed one.

I bought the Bernina 1100DA, took the guide classes offered by the dealer in Vienna, Virginia, and then tucked it into a cupboard. I moved a few months later, than again six months later, then four years, two years, two years, one year …. With each of those moves, the virtually brand-new serger went from box to cupboard to box and never came out. Never was used.

Frequently, when sewists get together, we mention the number of machines we own. I would mention my Bernina 1630 and my Husqvarna Viking Designer 1 and my mother’s hand-me-down Bernette. Then I’d say, “Oh, and I have a serger, but I never use it.”

I sew lots of knit garments and get along just fine, thankyouverymuch. I don’t need no stinking serger to make a lovely garment.

And then I began working at the local Bernina dealer. During my first week on the job, I had to learn to operate all the machines on the showroom floor in preparation for selling them.

The stars of that new job aligned with the stars of my daughter-in-law asking me last June if I could make these pants. I searched and searched for patterns, but could find nothing that looked like my finished product would remotely resemble the pants she desired.

And then I saw the Jocole Yoga Pants pattern. They looked doable and comfortable. And the pattern seemed straightforward enough that we could easily tweak it to give her exactly the pants she wanted.

Yoga Pants Waistband

Look at that beautiful, smooth seam!!

She asked for a dark gray heather-y fabric that wouldn’t display cat hair or dog hair as she ran errands after working around the house. After checking the stock of all my favorite on-line fabric stores, I settled on Gray Ponte 320 from Hart’s Fabric. The rayon makes it comfortably breathable, the nylon makes it soft, and the lycra gives it stretch. I ordered two yards.

In the midst of the new job and learning pages and pages of Sondheim for two different shows, I found time this weekend to tape the PDF pattern together, trace off her size, adding 3″ to the length of the long size, and cut out the fabric. (She’s 5’11”. Finding pants long enough is one of the great challenges of her life.)

As I was reading the pattern instructions, I saw the words, “If you use a serger…”. I thought, “What pattern and fabric better for me to get off my butt and practice with this serger.”

I sewed up the first seam and began dancing around the sewing room with glee. That was one gorgeous clean-finished seam!!

I’m a convert.

Here’s the review:

Pattern Description: Ladies Yoga Pants, Capris & Shorts – pdf sewing pattern

Pattern Sizing:XS-XXXL, Pattern includes full length, capri length and short length options. Petites, Regular and Tall.

Did it look like the photo/drawing on the pattern envelope once you were done sewing with it? Yes!

Were the instructions easy to follow? Yes!

What did you particularly like or dislike about the pattern? Clear instructions, easy construction.

Fabric Used: Rayon, nylon, lycra Ponte 320 from Hart’s Fabric. Killer fabric for these pants!!

Pattern alterations or any design changes you made: My DIL is 5’11”. We looked at all the measurements on the pattern and added 3″ to the Tall size at the “add here” line. They’re perfect, but she’d like some that are longer. The next pair will have another two inches added to make them more versatile, i.e. for more than just yoga class.

I used the same soft tricot interfacing that I use on my knit tops to reinforce the hemline. I cut 5/8″ strips and fused to the bottom of the legs, then folded, pressed, and double-needle top-stitched with wooly nylon in the bobbin. Perfect. Also double-needle top-stitched the waistband seam allowance to the pant (away from the waistband). Perfect!!

Would you sew it again? Would you recommend it to others? I expect more of these will be coming off my serger. This is a great pant.

Conclusion: Perfect first activewear stretch pant for beginning sewists or new serger owners. Easy and very flattering.


I can see so many uses for this pant. My granddaughter, at 11, is about 5’8½”. I can see making these in shorts and adding a rayon jersey skirt into the waistband. Then she can jump and run without worrying about modesty. She can do handstands if she wants!

I have a beloved Eileen Fisher skirt that has a foldover waistband. Well, lookee, this pattern has a similar foldover waistband.

I can’t stress enough how simple these pants are. Four long seams, then seam on waistband, then waistband application to waist, then hems and topstitch waistband seam allowance. Bim, boom, bam. Done. Less than an hour.

Now if I can just teach my DIL to cut them out herself, she’d have an entire wardrobe of super comfortable pants in no time!

Favorite Travel Jacket

NikkoDoesn’t everyone have a favorite travel garment? This is mine. Every time I wear it, I receive compliments.

It’s the Nikko jacket from The Sewing Workshop. The fabric is a home dec linen that I found at a store near the university in Tucson. From my googling, I believe the store no longer exists. I can picture it and about where it was, but can no longer remember the name of the street. I lived in Tucson from 2000-2008—eight years. I’ve now been gone from there for six years. I’ve forgotten many of the places, but still remember all the good friends.

I took this picture Monday morning a week ago (Sept. 8) at 4:15 a.m. as we were heading for the airport shuttle for a nonstop flight to San Francisco. I was going to quickly post it to explain why I wouldn’t be sewing and posting at all. You see how well that went!

Now I’m home and busy posting the travel blog—wine tasting in Sonoma and Napa; a long drive down the coast for lunch with a fiber friend; SF fabric shopping with a cyberfiberfriend who can now drop “cyber” from her title; and lots of walking and sightseeing around SF. Great fall vacation!!!

And the Nikko jacket? The only thing I would have done differently is put in a faux bound buttonhole rather than a regular buttonhole with black thread. Other than that, it’s perfect. Great weight for sitting on a plane for hours. And I believe it’s visited every foreign country I have visited.

(If you want to read about our travels, click the Travel tab at the top of the screen. My account will be complete in a few days.)

And How Do You Feel About That?

barcelona_cover_medI’m currently having my first experience with on-demand sewing. The Bernina store owner came to me one afternoon about three weeks ago, carrying a pattern and three bolts of fabric. She said, “Why don’t you make this skirt and overskirt (referred to in the pattern as an ‘apron overlay’) so we can display it at the store to help sell some of these patterns.”

I’m not going to try to convince you that I have a definite style. My style is all over the place! But if you look at my Pinterest boards or if you’ve read a lot of my blog posts and examined the garments I’ve made for myself, you know I’m all about soft, flattering tops, leggings or slim pants, and hiding that excess ten [cough! cough!] pounds.

The fabrics I love have movement and are usually knits or silks. Think drape-y fabrics. This pattern and its recommended fabrics are nothing like that! The fabrics are quilting cottons. The skirt’s layers have frayed edges. It’s “shabby chic.” I may attempt to be chic, but shabby I ain’t!

Okay, but this project was not about me. It was not designed to be something I would want to wear. It was designed to be something to draw in store visitors who might think, “I/my daughter/my granddaughter would look cute in that. I think I’ll buy that pattern and, oh, maybe $50 worth of fabric.”

And I’m always up to a challenge.

I have finished the skirt. I have washed and dried it twice and pressed it. With its layers of frayed edges, it’s ready to go back to the store for display. The skirt overlay—designed to be worn over the skirt or over a pair of jeans (!) is 20 minutes from completion. And that’s where we come to today’s post.

barcskirts_collageLast night I was clearing things off TiVo while pinning the overlay skirt panels to the waistband. I had sewn one edge, finished the ends, and was down to the final step of pinning the folded edge of the waistband facing to the inside for stitching. Things were not going well.

Even though the waistband was a rectangle, and the outside edge had sewn cleanly onto the gathered edge of the skirt overlay, the facing was acting like it was too small. I spent probably close to half-an-hour pushing and pinching and easing, trying to get the waistband facing to a point where I could handsew it into place before topstitching.

Let’s be clear here. The pattern says nothing about handsewing. It says nothing about basting. It says to pin the folded edge of the facing in place and then topstitch an ⅛” from the waistband seam on the front side.

Are you kidding me?!

That instruction, my friends, is a catastrophe and a lot of seam-ripping waiting to happen!

Soooo, I coaxed the facing into place, pinned to within an inch of its life, and this morning I will handsew the edge into place, after which I will topstitch it ⅛” from the edge. And then I’ll be done.

I sat on the couch, after finishing the half-hour of coaxing and pinning, and I realized I was feeling something. I just wasn’t sure of the name of that something. Depression? Sadness? Frustration? Failure?

And I realized I had felt that feeling—I think its name is frustration—many times before.

I’ve never recognized or tried to identify that feeling before. But here’s what it’s all about.

I’m quick to try new things. New techniques, new patterns, new fabrics. And I always think I’ll be successful. It never occurs to me that I might proceed with caution. It never occurs to me that the finished product will be anything other than a fabulous garment which I’ll immediately don and feel like a million bucks. So when something happens to twist my universe—something between opening out the pattern and laying it on the fabric and the final stitch and press—I am at first shocked, which is quickly followed by a feeling of sadness that I’ve put so much time, energy, and money into something that was nothing like I’d expected. (Here’s a good example of just such a colossal failure.) At times I feel like such a failure I want to completely give up on sewing and just spend my days reading books.

I think it just doesn’t fit into my view of myself: I’ve been sewing for over 50 years. How could I make that colossal an error/goof/misjudgment?

Maybe with years of experience comes the knowledge of what works and what doesn’t work. But in the case of this waistband, that’s a fabric failure or a pattern failure, over which I have no control.

I have no clever sum-it-all-up paragraph to pen (pixel?) here. And actually, I’m quite surprised I only just recognized that I have had this feeling over and over again. I never thought of myself as a slow learner, but on this issue, I guess I am.

Better [very] late than never, right?

In a couple of weeks (post much-needed vaction), I’ll write a review of this pattern. It’s actually a decent pattern. It’s cute if shabby chic is your style. It’s just not mine.

But this is not about me.

It’s in the Details!

Liberty frontOne of the things that led to my employment at the local Bernina store was the owner’s seeing me in the store wearing garments I had made. She is also a garment sewist, so she knew just by looking that quality had gone into the construction of these garments. She told me she had picked up some apparel fabrics at the Pittsburgh quilt market, and within a few days I stopped at the Twinsburg store on my way to a Cleveland rehearsal to see these fabrics. The owner was there and we talked a bit more, culminating in her asking if I’d be interested in teaching any garment construction classes at that store. (Of course I said “yes.”) Three pieces of fabric called my name, and a couple of weeks later I stopped again to pick up two of the Sewing Workshop patterns she stocks there—the Liberty Shirt and Ann’s Cardigan and Tank.

batiklibertybackWith an eye towards teaching the Liberty Shirt pattern, I made up the first piece of fabric, a batik marked “100% cotton.” It is a lightweight weave, and actually feels more like linen to me than cotton. I’ve been in love with batiks for years, and really enjoyed sewing this fabric.

One of my intentions in making the shirt was to follow the instructions as if I were just beginning to learn to sew. In other words, I read every step in the instruction sheet and didn’t think, “I know a better way to do that.”

Here’s my review, then I’ll give some more of the details afterwards:

Pattern Description: Shirt or jacket has diagonal side seams angled to the front, soft stand-up collar, and set-in sleeves with vent openings. Asymmetric front and back deep hems with mitered corners. Front topstitching detail and five-button closure.

Pattern Sizing: XS, S, M, L, XL, XXL
Based on the measurement chart, I cut a Large. I’m 5’8″ and plan to wear the shirt over skinny pants, so I added 2″ at the “Lengthen/Shorten” lines.

Did it look like the photo/drawing on the pattern envelope once you were done sewing with it? Yes.

Were the instructions easy to follow? Very detailed instructions with clear photos. Easy to follow.
However, as a former technical writer, I noted a couple of what appeared to me to be omissions. As my goal is to teach this pattern at the local Bernina store, I wanted people learning to sew to be able to follow the instructions satisfactorily.
1) Under Collar and Facings, the second step shows basting the collar edges together, but doesn’t list that action. It only says to edgestitch. (Because I was working with a stable fabric, I was able to sewing the collar in place easily without basting, but new sewists would need this instruction.)
2) Same section, after staystitching neck edges of facings, it says to fold the seam allowances in and press. It does not say to trim afterwards. With that much curve, the seam allowance is not going to lie flat inside unless trimmed.
3) Same section, next step, it says to stitch the front and back facings together. The seam allowances have been folded in and pressed, and the pictures shows sewing the facings together with the seam allowances folded in. This will not give a clean finish. I think it should have said open the seam allowances out, stitch, then press the seam open and press the seam allowance fold again. It also doesn’t instruct how to press that seam (open or to front or back).

What did you particularly like or dislike about the pattern? Love the French seams. What a wonderful shirt to teach new sewists the beauty and elegance of a French seam. And the mitered corners—another great technique for beginners to learn.

Fabric Used: Picked up by store owner from jobber. No info available on the origin of this fabric. Marked 100% cotton, a batik that feels more linen-y to me.

Pattern alterations or any design changes you made:
Added 2″ in length along “Shorten/Lengthen” lines.
Added a 3.5″ piece of self ½”-wide binding to the inside of the sleeve, along the hemline, centered on the seam. Inserted ¼” elastic to pull in the sleeves somewhat.
Added patch pocket to right front as first wearing will be on vacation. 🙂
I strongly suggested basting the hems and facings in place before topstitching. This is not mentioned. I sewed the back hem without basting and—as a result—took the time to hand baste the front and facings from the inside along the very edge. Loved the beautiful straight topstitching lines that resulted. (Should take the back out and redo, but not gonna do it!)

Would you sew it again? Would you recommend it to others? Yes and yes. Will be sewing many more of these in preparation for teaching.

Conclusion: Crisp, clean, neat – great with dress slacks or jeans, in many different fabrics. I’m interested to see the suggestion to make it in a knit as a t-shirt. Hmmm ….


When I started, I set the timer on my phone so I could have an idea of how long this shirt takes to construct. When I stopped last night, I had about 4.5 hours on the timer. All that was left to do was topstitch the facing and hems, set in the sleeves, and sew the buttonholes and buttons. Snip snap, right?

Oh, you’re so wrong. I was in the sewing room all day today, finishing at 5:00. When I went to make the buttonholes on my Bernina, the test/programming buttonhole with the automatic foot went in perfectly. But then when I ran the second test to make sure it remembered, it wouldn’t reverse after the first side. Tried again. Nope. Tried with regular buttonhole foot (#3) and when I pressed the Reverse button to start the second leg, it wouldn’t reverse. I’ve had the machine since 1996, and this has never happened before.

libertybuttonbackI had to pull out my Viking Husqvarna Designer 1 and relearn how to do buttonholes with it. That entire debacle easily ate up 1.5-2 hours and caused great annoyance.

I dug through my stash to find buttons and I love these. I had no idea where they came from, but they’re shell with a blue cast to them. Look at the button backs—very cool!

Inside of sleeve elastic insertion.

Inside of sleeve elastic insertion.

The sleeves are somewhat full. I tend to like to shove my sleeves midway up my forearm, and these are not tight enough to do that.
Outside of sleeve elastic insertion.

Outside of sleeve elastic insertion.

So I added a 3-4″ strip of ½” self binding to the inside of the sleeve seam, parallel to the hem. I will always wear it with the sleeve hems folded up just enough so the stitching doesn’t show, and then push up at will.

The final touch was to add a patch pocket to the right front with the one little scrap I had left. This new shirt is going to visit California next week and I want to be able to stash a Kleenex or an airline ticket in the pocket.

Patch pocket

Patch pocket

The final impediment to a quick finish was the photo shoot. I loaned the camera to the Spousal Equivalent when he went to a family party a month ago. Let’s just say it came back with some things out of order. Like: where is my remote?!! where is my tripod?!! So probably 20 minutes of the shoot was spent figuring out how to balance the camera in a coffee cup and lean it against the porch column. The back is not exactly in focus, but I think you get the idea.

If not, wait until I make the next iteration of this shirt, which I definitely will do.

(Top is worn with Eileen Fisher Washable Stretch Crepe Slim Ankle Pant with Yoke Waistband and Naot Afrodita sandals.)

Summery Scarf

coralscarfCatching up on some older projects that haven’t made it to a blog post yet ….

One of Wolf Creek Yarn’s weekly newsletters in March grabbed my attention. In Northeast Ohio, we were still in the depths of a brutal winter, but the scarf shown in the newsletter sang to me of spring. The scarf is made of Berroco Lago yarn, a rayon/linen blend that gives the wearer accessory options for warm-weather outfits.

Wolf CreekI made a road trip over to Grove City to visit Wolf Creek for the first time, where I bought two skeins each of the colors Papaya and Passion Flower.

IMG_7167It’s an easy and fairly mindless knitting project. Cast on very loosely 30 stitches, then increase one stitch in the first and last stitches in every row until you have about 10 yards left, then cast off very loosely.So long as you don’t forget to do the increases, you’re good!

IMG_0780I kept the Papaya scarf for myself and have worn it a couple of times through the summer. The Passion Flower scarf went to our lovely friend, Leslie. She selfied it for me from her cabin at Interlochen Arts Camp, where she teaches in the dance department each summer.

IMG_3107On both of these scarves, I felt the ends would benefit from having a little weight on them. For Leslie’s, I snooped around my jewelry-making and beading supplies and wired some beads onto a lobster claw clasp. For mine, I browsed all the jewelry vendors at YSU’s Summer Festival of the Arts, and found the perfect little pair of earrings that could easily be attached to the ends.

2014-08-11 12.26.23Now if I could only—again—have a neck that didn’t arrange itself in fold upon fold when I try to photograph a scarf, life would be perfect. Or perfecter.

It’s all relative, right?

(Okay, I’ll show you the neck photo. It shows off the scarf well, but not my old neck.)

When is a Uniform Not a Uniform?

turqinblueWhen it’s a great, beautifully constructed, Katherine Tilton Vogue top. My friend, Leslie, teaches at Interlochen Arts Camp during her summer breaks from the university where she chairs the dance department. My son, grandkids, and I drove up to Interlochen earlier this summer to visit her.

imageNow, anyone who has attended or visited Interlochen over the years knows there’s a camp uniform. Light blue shirts and dark blue pants or shorts (or, much mocked through time, knickers for the girls). When I observed one of Leslie’s musical theatre classes the first day we were there, I was horrified. No one who loves Interlochen as much as she does (she not only attended National Music Camp, but she graduated from Interlochen Arts Academy and now teaches at the camp every summer), should be wearing anything under than the pale blue that is standard. But Leslie, ever the non-conformist, was wearing a turquoise top over her navy skirt. Say it isn’t so (cries the ultimate rule-follower)!

8817 FrontI’ve been sewing some for her lately. She received three tops and a mesh bag in which to pack all her electronic gadget adapters and chargers for her early summer teaching assignment in Turkey.

8817 Back viewWhen I visited her in June, I wore my very favorite of Katherine Tilton’s Vogue 8817, View A. Looking closely at it, she quickly stated she wanted one of her own. She tried mine on and—as expected, it was too large. I’ve found that if I cut things a size smaller but keep the length adjustments I’ve made, they fit her perfectly.

I found a lovely and oh-so-soft Interlochen blue (why don’t they just name it that?!) rayon jersey that, I believe, will be very comfortable in the Northern Michigan summers that are alternately hot and humid or cool and lovely.

8817 View A Neckline8817 Underbust SeamThis top was a dream to sew. The stars aligned and it went together perfectly. I didn’t pick up the seam ripper once. Just performed each little task in order and admire the ultimate outcome.

Disclaimer: The color is true in Mood’s screencap, and very dull in my latenight iPhone pics. And this shirt is much prettier on the body than on the hanger!

8817 Side Front Seam

The five individual garment photos: (L-R, Top-Bottom) Full front view; full back view; that beautiful neckline; flattering underbust seam; side front seam. (Patting self on back for excellent workwomanship!)

Leslie is always good about sending me selfies in her new garments that I create. I’ll add it here when I receive it, so stay tuned.

(And if you’re curious about the other garments I’ve made from this pattern, here are all the blog posts.)