One More for the Road

imageOf course. That’s what you’ll say when I tell you I decided around 2:00 yesterday afternoon to make Just One More Top for the trip.

I wanted to try Katherine Tilton’s Butterick 5961 one more time. I still had some of the peacock RPL from my View C. I had also gotten some “army green” of the same fabric. Their army green is really closer to an avocado.

So I made View A/B and cut it two inches longer.

To counteract the floppiness of the collar, I took the lightweight interfacing that I had used for the hems on View C, tugged to see where it had the most stretch, and cut a full collar out of that and fused to the collar. Because it wasn’t a true bias, the collar came out wonky, which I really like. I

I also cut a 1.5″ strip of the teal the same length as the collar and drew lines on it with a lime Fabrico pen. I folded it and basted to one long edge of the collar, so it peeks out of that seam. You have to invade my personal space to see the stripes, but I know they’re there.

Finally, to finish tying the teal and green together, I cut a little strip and sewed it onto the left sleeve 2″ above the hem, using the double needle to topstitch the edges and the center.

The top feels a little big on me even thought I cut my normal 16. If you’re using a soft knit with a lot of stretch, you might go down a size.

And now it’s time to board the plane for Frankfurt. Tschüß!

Cute and comfortable

GrayBlackHere’s a second take on Katherine Tilton’s Butterick 5961. I made the first one on Saturday and blogged about it here.

SwissBlackI wanted some more black for tops, and picked up a nylon/acetate/lycra Swiss 4-way stretch at Gorgeous Fabrics. Ann’s description is accurate—”it’s a joy to sew.”

I liked my sweatery teal tunic so much I decided to try the shorter version. I have ordered a pair of those new leggings-with-attached-skirt that one sees everywhere nowadays and thought the length of View A/B would be just right with that. I dipped into my knit remnants basket and came up with a mottled gray knit that feels like a lightweight sweatshirt and has cutouts revealing the black mesh underneath. I previously used it here. As luck would have it, I had enough in the stash for sleeves and a collar for this new top.

My suggestion when putting in the sleeve is to do the sleeve cap, stopping at the small circle. Break your stitching, then clip the corner on the front and back to the reinforcing stitching, pin the sleeve from the small circle down to the side seam. By stopping the stitching this way, I got a very clean angle at that point.

Because of how insignificant the mock-turtle was on the teal sweatery fabric, I added two inches to the height of this collar. I didn’t need to do that, but I do like the result. Lesson learned: If you want a collar to stand up, you’ve got to have some substance for it to do so.

My hems on sleeve and bottom are crisp and clean because of the 1″ strip of lightweight interfacing fused to the edges before folding and double-needle stitched with wooly nylon in the bobbin.

That’s it! Quick. Easy. Fun.

I wore the teal tunic on a twelve-hour run-out to Manhattan yesterday for a performance with the Cleveland Orchestra and Chorus at Avery Fisher Hall. It was so comfortable for the plane ride. Several friends noticed it and commented on the unique sleeveline. (Only one picture today, as I drove into my garage at 3:02 this morning, and I need to go vote and run to Jo-Ann’s for a zipper.)

Spousal Equivalent is telling me I need to stop making things to pack and actually pack some things. Liftoff for more concerts in Europe is in three days. 😮

I highly recommend Butterick 5961, and tip my hat to Katherine Tilton for the pattern and to Ann Steeves for this great black knit. (The gray knit came from Marcy Tilton’s superb online fabric store, but has been out of stock for a year. Keep your eyes open, or pick up an Alabama Chanin book and make your own fabric for a treatment like this.)

Another new top, and more love.

TealCatsWhen I made Katherine Tilton’s Butterick 5925 top (blogged here and here), I fell in love with the RPL (Rayon-Poly-Lycra blend) fabric. I raced over to Gorgeous Fabrics and grabbed two more pieces, one in Peacock and one in Army Green.

I expected these two pieces to have the same hand as the red RPL. I prewashed, and then last night, when cutting out Katherine Tilton’s Butterick 5961, I realized the hand was very different. And still wonderful.

TealFabricThis top, which is slated to go to Germany with me next Friday, feels very similar to a lovely lightweight cashmere twin-set I got from Talbot’s about five years ago. “Cozy” is the word that comes to mind. I love this fabric, and have enough to go quickly make something else out of it. (The Jazzman tells me I need to stop sewing and start packing, but I’m determined!)

Here’s the formal review:

Pattern Description:
MISSES’ TOP AND PANTS: Very loose-fitting, pullover top has collar and shaped armholes. Collar B: cut on crosswise grain. Fitted, tapered pants have side front and side back seams, topstitching and back zipper. D: cuffs. A, B, C and E: stitched hems. I made View C.

Pattern Sizing: B5(8-10-12-14-16), F5(16-18-20-22-24). I cut my standard Tilton 16.

Did it look like the photo/drawing on the pattern envelope once you were done sewing with it? Yes.

Were the instructions easy to follow? Yes.

Teal03What did you particularly like or dislike about the pattern? Katherine has hit the ball out of the park with this top. I sewed it right up without checking anything and it’s perfect!

Fabric Used: RPL from GorgeousFabrics.com. Please note: This is a very soft fabric, so the collar doesn’t stand up at all. If you want a more mock turtle look, choose a heavier or heftier fabric.

Pattern alterations or any design changes you made:

  1. TealNeckI topstitched the shoulder seam, which I normally do on Tilton tops. (The pattern does not tell you to topstitch.) However, after trying the top on I noticed the shoulder seam sits forward, and it would have been nicer if I had omitted it.
  2. Cut 1″ strips of lightweight fusible interfacing and fused to sleeve and bottom hems for a clean fold. Then topstitched with double needle and wooly nylon in bobbin. Perfect.

Would you sew it again? Would you recommend it to others? As soon as I publish this post, I’m going downstairs to cut another!

Conclusion: Make it. Wear it. Love it!! Thanks, Katherine.


TealFrontTealSide02

And how convenient that this peacock fabric perfectly matches the cowl I made after recovering from my broken wrist. It’s perfect with this floppy mock-turtle neck.

(And I apologize for the lack of image quality in the pics. It’s a very gray day in NE Ohio, and light isn’t to be found anywhere!.)

THE Blanket!

BlanketI don’t like long drawn-out projects. I like feedback and knowing the end is in sight. When I was an IBMer, I interviewed for several Customer Engineer positions, but knew I wouldn’t do well in a job where you plug away and plug away and it can be months or even years before the customer makes a decision.

I’ve written previously about this project, the Lion Brand Yarns Slip Stitch Sampler Throw. I wrote first in July, at the three-blocks-complete stage, then I updated my status a couple of weeks ago.

The true timeline? I bought the kit from Lion Brands in mid-November last year. The kit contained 14 balls of acrylic yarn (translation: washable!). I ran short of one color so used 15 balls total. I told myself I would cast on as soon as my opera stint on Nov. 30 was finished. Of course, that stint never finished, as (stop me if you’ve heard this) 20 minutes before the performance, I fell and broke my left wrist. Pulverized the wrist bone. And then had surgery to install a plate. And then three months of recovery before I could see my bare skin again. And then a couple of months of physical therapy. I kept trying to knit, but the hand and wrist would not cooperate. There were only a few ways I could bend that joint and use those stiff fingers.

I didn’t document when I finally cast on. I believe it was in April, but serious work didn’t begin until the Jazzman and I returned from our May trip to France. In fact, so much time passed that Dear Son #2 didn’t remember looking at the picture that I showed him and saying, “Yes, I like that. I’d love to have it in my apartment.” I plodded along, but in September I got really serious. Let’s get this thing done!!

And now it’s done. What a relief! There are six squares, log cabin quilt style. Each square has a center block, then six logs above that center block. Each square contains 20,163 stitches and measures 25″ x 25″. The entire throw contains 120,978 stitches and measures 50″ x 75″. It’s just the right size to keep a grown man and his two adolescent children warm on the couch in front of the television or for story time.

What happens when you pick up and put down a project that many times over a long period of time? Your pattern of holding the yarn changes; your tension changes. The squares are not exactly the same size. I washed and blocked and pulled and tugged. It’s not perfect, but here’s the thing: the new owner loves it! (Or at least has the grace to tell the maker/mother that he loves it.)

Honestly, I didn’t love it. For myself, I would have picked out different colors, colors that I felt had more in common with each other. I saw several projects pictured on Ravelry and liked seeing how other knitters had translated the pattern. But for a man’s apartment, thrown across a tan couch, it’s Just Right.

But if Dear Son #1 decides he wants a blanket knit for his new place, we’re going to have to have a long discussion. I’m not thinking I want to start a project of that magnitude again!

My feeling at the end of this project? Whew!


 

And now, for an “awwww” moment: DGD, curled up asleep under the new blanket.

image

The Bag Lady

Bags1“Marcy’s Coat” has been put on hold for a couple of days while I attend to higher priorities. This particular higher priority was mandated by a baby shower I will attend on Sunday.

The new-mom-to-be is a chorus colleague of mine. She’s been dealing with a lot of physical pain unrelated to the pregnancy, and feeling much stress related to the confluence of pain and pregnancy. I suggested I teach her to knit as a method for reducing her stress. As much as she wants to sign on to this plan, our calendars prevented our getting together during the past few months.

As I tested a few patterns to find one suitable for teaching a beginner, I began amassing some articles suitable for a new baby and mom. The most special of these is the bulky baby blanket. There are also three burp cloths and a cushy little rectangle of a baby blanket that will be nice to lay under the baby in a car seat or similar unsoft surface.

As I thought about presentation, it occurred to me that the ideal way to present these hand-knit items was in a hand-crafted bag.

I love Nancy Ota’s “Screen Play” bag. Since I discovered this pattern in early 2004, I have probably made 25 or more of these bags. The screen that’s referred to in the title is Phifer Pet Mesh screening. It’s a vinyl-coated polyester mesh designed to withstand being snagged by pets’ claws. It’s strong and lightweight, and can be sewn through easily. (I buy it at Home Depot by the 84″ roll, but the first link in this paragraph takes you to a store that not only sells Ms. Ota’s patterns, but also the mesh in a variety of colors. The bag size I make most frequently requires a piece of mesh that’s 18″ x 31″. I straighten out the roll and cut it down the center, cutting 31″-long pieces, which gives me material for four bags, plus some left over to make little zippered pouches.)

Bags2Ever the overachiever, I made three bags in the past couple of days. The first is the gift bag for the baby shower. The new mama and daddy have two dachshunds, who figured prominently on the shower invitation. Bags3So of course I went cybershopping for quilting cotton featuring dachshunds. Panels of this fabric were stitched onto the screen on the front and back of the bag.

Bags4The basic bag pattern suggests the sewist can add pockets, if desired. I always include at least one pocket, usually zippered. I “fussy cut” one of the dachshunds from the excess fabric, fused it onto the black denim pocket, then stitched around the dog to add suspenders to my belt.

And I like to add some theme-related zipper pull. I was able to find a dachshund charm on eBay, which I wirewrapped onto the zipper pull. How sweet is he?!

Bags7Bag Number Two was inspired by a Cleveland Orchestra Chorus fundraising concert to be held in January, featuring Joella Jones, our wonderful accompanist, and some of her colleagues from the Cleveland Orchestra. We were asked in rehearsal last week if we would start accumulating suitable items to be assembled into baskets for the silent auction. I made a similar bag three years ago for another COC fundraiser, and it was highly bid upon. So here we go again.

Bags8This is a music-themed fabric I picked up a while back, tucking it into my music-fabric drawer. (Yes, I have just such a drawer.) There were two coordinating fabrics I got in the same order, which I used for the top strip. (Look at how easy eQuilter makes it to find coordinating fabrics – see the “Related Products” button? Brilliant!) I cut out a few of the instruments from the fabric and fused/stitched them to the black denim pocket, then dug into my bead stash to find a couple of beads to add to the zipper pull.

Bags5And then, since I already had the mesh cut, I thought I’d see if I could quickly make a third bag. Every time my sister-in-law and I have gotten together for the past several years, I’ve been toting something in one of my bags. Each time she would admire the bag; each time I’d say, “I’ll have to make one for you one of these days.” Enough already. This is one of these days.

Bags6I picked up a piece of Bali batik that was stashed. I totally love Bali batiks, finding the fabric to be very substantial, but also to have an ultra-smooth finish. This was a simple bag, as my sister-in-law is a conservative, elegant lady. Nothing cutesy in her wardrobe—just timeless classics. I used the same batik for the lower and upper bands, and left the zippered pocket unadorned except for binding in the same batik. For the button closure, I dug into my button box and found an antique black button that I thought looked lovely with the batik. And the zipper pull? A treasure. This is a lampworked bead I made about 10 years ago. It’s big and chunky, adorned with gold leaf and little bits of steel wool, topped off with drops of clear glass. I don’t often give up the beads I made, but a special lady and her long-awaited bag deserve a very special zipper pull.

Tomorrow I’ll tell you about the blanket I finished knitting today, then I’ll go back to my new coat and see if I can get it finished by Monday.

The clock is ticking …!


If you’re a PatternReview member, here’s my full review.

Sew? Clean? Sew!

MessyMy sewing room is an abomination. An embarrassment. A couple of days ago, the Jazzman walked in while I was slaving over a hot sewing machine, then backed quietly out as he turned out the lights so he wouldn’t have to look at the mess. That was a suitable response. In fact, the only way I would share a photo with you was by first running it through my iPhone’s ToonCamera app so the mess wouldn’t be quite so recognizable.

Here’s the problem: there are only 24 hours in a day. As you know, I’m trying to get too many things done (tops and a coat sewn) before I leave for the Cleveland Orchestra & Chorus European tour (Frankfurt, Paris, Luxembourg, Brussels) on the 8th of November. Yes, I could stop and pack my bags right now and have a perfectly fine wardrobe. But wait, I want that new Marcy Tilton coat. And I want that new Katherine Tilton top. I’m obsessed with having just the right items along so I’ll love how I look each day. It’s a sickness!

So when I’m balancing the time I have available to me in a day, do I clean or sew? Inevitably, I sew. Or knit.

I’ll get back from Europe on the 17th of November, and beginning the 18th, I am not going to allow myself any sewing or knitting time until I’ve spent x amount of time on cleaning that abysmal room. Any progress will leave it better than it is today.

How did I get onto this topic? I read Stephanie’s post today at MakesTheThings.com. I was instantly jealous of her clean, organized space. I want some of that!

What Every Body Needs

redcoatAs I walked into the JCC this morning for my water aerobics class, the sky was overcast and the weather forecast said there was a 90% chance of rain for the balance of the day.

A young mom and dad were getting out of their car next to me and walking their two children into the day care center. The mom was dressed impeccably and wearing a bright red coat.

Wow! Pop!!

We all should have a brightly colored coat to bring us some cheer on gray days.

CoatingI’m headed into my basement sewing room to begin work on Marcy Tilton’s coat, Vogue 8934. It’s a charcoal gray wool blend from Gorgeous Fabrics. Here’s your sneak peak. No, it’s not red. But it’s warm. For me, living in Northeast Ohio, warm is a higher priority than bright.

Stay tuned.

All You Need is Love

RedFront0… And some of this incredible poly/rayon/lycra knit from GorgeousFabrics and Katherine Tilton’s wonderful Butterick 5925 top. I think I am more in love with this garment than anything else I’ve made this year.

(You like the picture, don’t you? I’m channeling my inner Shams.)

Here’s the review:

RedNeckPattern Description: MISSES’ TOP: Pullover top has neckline and pocket variations, seam detail, and shaped hemine. A: slightly draped neck and pocket bands. B: pocket binding. A and B: semi-fitted, stitched hems. C and D: loose-fitting, hem band, and narrow hem. B, C and D: neck binding. Wrong side shows on hemlines, and C and D pocket openings.
Designed for light weight two-way stretch knits.

I made view D without the pockets. I frequently read that v-necks are good on me, but I rarely wear them, so thought I’d try it.

Pattern Sizing: Combinations: Y(XSmall-Small-Medium), ZZ(Large-XLarge-XXLarge)

I normally wear a Large or 14. I cut a Large and it fits perfectly.

Did it look like the photo/drawing on the pattern envelope once you were done sewing with it? Yes.

Were the instructions easy to follow? Yes.

RedFrontWhat did you particularly like or dislike about the pattern? The seaming is interesting. The fit is flowy without being overwhelming. It’s an absolutely lovely top.

Fabric Used: Poly/rayon/lycra from GorgeousFabrics.com. This link might give you some of them. The color I chose is called “ruby red”; as Ann says in the description, “it’s a deep red, almost blood red.” I think it would look good on any complexion.

RedBackPattern alterations or any design changes you made: Just a couple of tweaks.

  1. I hand-sewed the finishing of the neckband rather than “stitching in the ditch.” I love handwork, and I was having so much fun with this yummy fabric, so decided to give myself the present of quiet time stitching.
  2. I ignored every place in the instructions it said to clip the curve. I never clip when I’m working with a stable knit.
  3. On the bottom front piece which, I guess, is just designed to give it a little more length and is just a design feature, I didn’t like that it wasn’t hemmed. (I also didn’t like that the instructions ignored the issue. I would prefer that instructions tell me to leave the edge raw rather than ignoring it.) I sewed it in place, then realized it was going to roll slightly, so unstitched ¼” on either end, cut a ¼” strip of lightweight knit interfacing and fused it in place, then folded the edge up and topstitched with a single row of stitching. Then I restitched the edges and I love the finished look.
  4. I fused ⅝” strips of the same knit interfacing all the way around the bottom on either side of that front panel and then turned up the bottom. I now do this as a rule with all knits of this weight. It makes my double-needle hems go in so much more smoothly.
  5. I fused a ¾” strip of the knit interfacing on each back shoulder seam before stitching, then pressed the seam to the back and top-stitched. This is a standard practice for Marcy and Katherine Tilton and one I’ve adopted on all my knits. It gives me a more stable shoulder.

Would you sew it again? Would you recommend it to others? Yes. Yes. A thousand times yes.

Conclusion: You cannot go wrong with either this pattern or this fabric. Go – Buy – Make – Wear – Love!


As I said the other day when I blathered on about this fabric, I threw the top on over black pants on Saturday night to go to dinner without adding the front bottom piece or finishing the hems. That’s how much I love it. Today for pictures and to wear to rehearsal in Cleveland tonight, I’m wearing it with brown pants. It would go with gray. It would go with ponte or stretch denim or stretch cotton or jeans or …. It just goes, Energizer Bunny style.

The necklace is to love, don’t you think? From a darling little shop in Paris of items handcrafted in Lebanon. I think I’ll have to visit there again next month. (For my friends who are over there right now, it’s at 30, rue de Varenne in the 7th.)

The earrings are these sweet little wire-wrapped black pearls I got on sale a while back at Naturals.

With thanks to Katherine for this fabulous pattern, to Ann for the fabulous fabric, and to Shams for inspiring me to try new things with my camera.

TTFN. Late for rehearsal!